Cloud Music Inc. Reports Fiscal Year 2022 Financial Results
Cloud Music Inc. (HKEX: 9899) reported strong financial results for FY 2022, with revenues reaching RMB 9.0 billion, a 28.5% increase from RMB 7.0 billion in 2021. Gross profit surged to RMB 1.3 billion, up from RMB 142.7 million, marking a gross margin improvement to 14.4%. The net loss narrowed to RMB 221.5 million from RMB 2.1 billion in the previous year. Monthly active users (MAUs) for its online music services grew to 189.4 million, while monthly paying users increased to 38.3 million. This growth is attributed to improved user experience and content offerings, despite industry challenges.
- Revenue grew 28.5% to RMB 9.0 billion from RMB 7.0 billion.
- Gross profit rose significantly to RMB 1.3 billion from RMB 142.7 million.
- MAUs increased to 189.4 million, up from 182.6 million.
- Monthly paying users expanded to 38.3 million from 28.9 million.
- Narrowed net loss to RMB 221.5 million from RMB 2.1 billion.
- Monthly ARPPU for online music services slightly decreased to RMB 6.6 from RMB 6.7.
- Monthly ARPPU for social entertainment services decreased to RMB 326.0 from RMB 448.1.
Summary of Key Financial and Operating Metrics
(RMB in thousands, unless otherwise stated)
Year ended 31 December | ||||
2022 | 2021 | |||
(Unaudited) | (Audited) | |||
Financial Metrics | ||||
Revenue | 8,992,221 | 6,997,622 | ||
Gross profit | 1,293,118 | 142,674 | ||
Loss before income tax | (204,479) | (2,051,423) | ||
Loss for the year | (221,494) | (2,056,092) | ||
Non-IFRS measure: | ||||
Adjusted net loss(1) | (114,573) | (1,043,712) | ||
Operating Metrics | ||||
Online music services | ||||
-MAUs (million) | 189.4 | 182.6 | ||
-Monthly paying users (million) | 38.3 | 28.9 | ||
-Monthly ARPPU (RMB) | 6.6 | 6.7 | ||
Social entertainment services | ||||
-Monthly paying users (thousand) | 1,332.3 | 683.3 | ||
-Monthly ARPPU (RMB) | 326.0 | 448.1 |
Fiscal Year 2022 Key Financial and Operating Highlights
- Revenue was
RMB9.0 billion , an increase of28.5% compared withRMB7.0 billion in 2021. - Online music services:
-Revenue from online music services wasRMB3.7 billion , an increase of12.4% compared withRMB3.3 billion in 2021. The increase was primarily due to the significant growth in revenues from sales of membership subscriptions.
-MAUs of online music services grew to 189.4 million from 182.6 million in 2021.
-Monthly paying users of online music services expanded to 38.3 million from 28.9 million in 2021. The increase was primarily due to the continued efforts in improving user experience, innovating interactive features and enriching the content offerings.
-Monthly ARPPU (average revenue per paying user) of online music services wasRMB6.6 compared withRMB6.7 in 2021.
- Social entertainment services and others:
-Revenue from social entertainment services and others wasRMB5.3 billion , an increase of42.8% fromRMB3.7 billion in 2021. Our vibrant community culture that encourages content creation, as well as our diverse content offerings in social entertainment formats, contributed to the robust growth of our social entertainment business.
-Monthly paying users of social entertainment services increased to 1,332.3 thousand from 683.3 thousand in 2021.
-Monthly ARPPU of social entertainment services wasRMB326.0 compared withRMB448.1 in 2021.
- Gross profit was
RMB1,293.1 million , compared with a gross profit ofRMB142.7 million in 2021, as a result of the Company's significant revenue increase and control over content licensing fees. Gross margin improved to14.4% from2.0% in 2021. - Net loss was
RMB0.2 billion , narrowed by89.2% compared withRMB2.1 billion in 2021. - Adjusted net loss was
RMB0.1 billion , narrowed by89.0% compared withRMB1 .0 billion in 2021.
Note: |
(1) Adjusted net loss is defined as loss for the year adjusted by adding back equity-settled share-based payments and changes in fair value of convertible redeemable preferred shares. |
Business Overview
Throughout 2022, we enhanced our music-inspired offerings. We brought our users innovative features and expansive content, grew our differentiated community and elevated our content ecosystem. The success of these initiatives strengthened our commercialization capabilities. Along with our optimized operating efficiency and cost structure, we considerably narrowed our net loss in 2022 year-over-year.
Despite the industry-wide slowdown, our MAUs of online music services for 2022 still steadily climbed to 189.4 million, up
We continued to secure more high-quality content in 2022, with a focus on better investment efficiency. Paired with our stronghold in fostering a leading independent artists ecosystem and enhancements to our in-house music production, we have developed a comprehensive and differentiated content ecosystem that encourages user stickiness, as well as users' willingness to subscribe to our diverse premium offerings. We will further explore cooperations with record labels to round out our content offerings in 2023. A remarkable example is our recently announced partnership with B'in Music, which expands our leading content library with some of most influential C-pop music.
We have worked diligently to strengthen our monetisation capabilities throughout 2022. Despite a more challenging industry and macro environment, our total revenues in 2022 grew
We have also managed to considerably improve profitability in 2022. The improvement is mainly attributable to the effects of increased scale and cost optimization. Gross margin soared to
In 2023, we remain committed to cultivating our community, bringing more high-quality music to our users, further strengthening our operating capabilities and improving profitability. Our plans call to:
- foster our music-oriented community ecosystem and explore innovations in social networking, via enhancements to our comprehensive product offerings, embedded with more interactive features and broadened communicative ecology;
- further diversify and enhance our content offerings with better efficiency. We plan to deepen our collaboration with copyright holders, as well as strengthen our independent artists incubation and our in-house music production;
- cultivate our users' willingness to pay and subscribe to premium offerings, via improved user experience and deepened user engagement, and broadened consumption scenarios;
- improve profitability through continued content cost optimization, enhanced operating efficiency and disciplined cost control; and
- look to IoT layouts, as well as potentially game-inspired initiatives, to further expand music listening scenarios and explore commercialization opportunities.
Content enhancement
We offer a full spectrum of content as our young users' demands become increasingly diverse and personalised. Our content library comprised more than 116 million music tracks by the end of
Partnerships with music labels. Music copyright licensing has opened up following the end of the online music industry monopoly. We continued to promote the reclaiming and expansion of music copyright in a disciplined manner in 2022, and thus further diversified and enriched our content offerings.
- Expansive catalogue of music labels. We have signed copyright collaborations successively with top labels including Linfair Records, SM Entertainment,
TF Entertainment , YG Entertainment, KAO!INC andPony Canyon . These collaborations add more popular music tracks from influential singers and groups to our platform, including, but not limited to,Angela Chang , SUPER JUNIOR, Girls' Generation, EXO, TFBOYS, BIGBANG, BLACKPINK andKana Hanazawa . - Digital album. Several premium digital albums achieved impressive sales on our platform in 2022, including "希忘 (Xiwang)
Hope " byChenyu Hua , "I NEVER DIE" and "I LOVE" by (G)I-DLE, "Teen onShuqian Street " byLei Zhao and "Midnights (3am Edition)" byTaylor Swift .
Going forward, we will look to actively negotiate with multiple copyright holders to secure more high-quality content that complements our offerings.
- At the beginning of 2023, we successfully signed a copyright collaboration agreement with B'in Music, adding its vast music catalogue from top artists such as
Jonathan Lee and Mayday.
Independent artists. We continue to grow and empower independent artists, serving more than 611,000 registered independent artists by the end of 2022. Our content library includes approximately 2.6 million music tracks generated by our registered independent artists. Throughout 2022, we continued to actively nurture independent artists, helping them create and promote music works, and realise commercial value.
- Supporting musicians in content creation. A variety of musical forces convene on our platform such as lyricists, composers and arrangers. We have been effectively facilitating music cooperation on our platform among musicians across the creation value chain.
- Rolled out more creation-oriented communities among musicians includingMusicians Community (音乐人社区) andBackstage Artists Forum (幕后专区): In doing so, we promote interaction and cooperation among musicians, and better serve the music production industry.
- Music knowledge sharing (音乐说) is a special column covering various aspects of artists' development, which offers professional contents such as professionals interviews, industry trend analysis and the exchange of ideas.
- Improving musicians' exposure. During the year, we further mobilised our internal and external resources to help musicians increase their exposure and promote their music works.
- Online exposure:Launched Independent Artist Zone , comprising Original Music Discovery and Local Recommendation, expanding music discovery and consumption scenarios, and kicking off local-based operations for original music.
- Offline presence: Rolled out our camping-themed music festival brand "Cloud Village Camping Music Festival ", incorporating an offline presence to promote our musician ecosystem.
- Helping musicians realise commercial value. We take an active role in helping musicians profit on our platform by leveraging our diversified commercialisation methods and tools.
- Launched Musical Work Trading Platform: Musicians can realise commercial value through trading and cooperating on music works with other professionals across songwriting, mixing and arrangement, and other production services.
In-house music. In 2022, we further reinforced our in-house production capabilities, focusing on our advantageous music genres and styles. We were proud to cooperate with CCTV to produce "Blooming Bauhinia" (《紫荆花盛开》), a special song dedicated to the 25th anniversary of
Differentiated special planning episodes. Building upon the highly engaged user interaction, we stimulated more IP-planning projects to expand the exposure of elite music content. These initiatives entail aesthetics appreciation of distinct content offerings and the pursuit of passionate resonance, helping us cater to music enthusiasts, as well as underpin our branding proposition and user mindset.
- Following our partnership with major record labels, such as
Rock Records and Linfair Records, we rolled out special episodes to revive classic songs and popularize them with the younger generation. - We helped expand the exposure of distinct music genres through creative introductory episodes. For example, the episode titled "100 Years History of
Jazz Music " received great user recognition. - We rolled out more IP-themed special planning episodes to promote in-house content via well-liked topics, such as "In the Other Hometown," and utilize creative endeavours to increase the exposure of lesser-known content, such as "The Land of Silver Salt Photography."
Community ecosystem and product innovation
Throughout 2022, we continued to revitalise our differentiated community across our steadily growing user scale, and achieved strong and sustained user engagement levels. During the year, each daily active user spent, on average, approximately 78.9 minutes per day listening to music on our platform (2021: 78.2 minutes). As of
Meanwhile, we advanced our initiatives in product innovation. We are not only committed to improving user music listening experience, but also actively adding interactive features and broadening communication scenarios, which invokes music-inspired resonance and reinforces a multi-layered community ecology. We are also broadening music listening scenarios, further aided by collaborations with NetEase Games.
Optimising users' listening experience
- Memory Coordinates (回忆坐标): Our newly launched feature presents users with recollections of their own personal moments and emotional connections to the song by displaying digitalised metrics of meaningful accompaniment.
- Style Recommendation (风格推荐): The addition of this tab brings more personalised options to users in the daily recommendation function to better reflect diverse tastes with more accurate recommendation content.
- Music Encyclopedia (音乐百科): We have rolled out the "Music Encyclopedia" function, integrating fragmented information into an encyclopedia page that contains music genre, style, instruments, BPM (beat count) and awards.
- Initiatives to improve audio quality: Following our successful launch of "Hi-Res," we further introduced "Dolby Atmos (杜比全景声)," which allows users more authentic and immersive ways to elevate their listening experience.
Fostering community atmosphere and social networking features
- Launched innovative offerings, including Star-rated Comment Section (星评馆) presented on our home page to display emotionally touching comments, aiming to further boost our community atmosphere and motivate creators to post high-quality comments.
- Rolled out Fans Space (乐迷团), an engaging and interactive gathering place for artists and their followers to strengthen bonds and establish closer connections, while encouraging user interactions to discover like-minded people for more communication.
Expanding music consumption scenarios
- Joint collaboration with NetEase Games. We continued to expand our internal collaboration with NetEase Games, seeking more tie-ups that utilise our strength in content to integrate users' gaming experience with diverse listening options, across
Ace Racer and Minecraft, etc. , as well as the newly launched popular casual gameEggy Party (蛋仔派对). - IoT layouts. Our foray in the IoT market covers smart devices across more aspects of people's lives, around travel, gatherings, sports and more. In particular, we added TV terminal layouts, extending to large-screen household scenarios, featuring Atmosphere Space (氛围空间), a new immersive companion function with a variety of soothing visuals and atmospheric sounds.
Conference Call
The Company's management will host an earnings conference call at 7:00 p.m
Event Title:
Registration Link: https://s1.c-conf.com/diamondpass/10028650-gfyd6f.html
All participants must use the link provided above to complete the online registration process in advance of the conference call. Upon registering, each participant will receive a set of dial-in numbers, an event passcode, and a personal access PIN, which will be used to join the conference call.
A replay of the call will be accessible by phone at the following numbers and entering PIN: 10028650. The replay will be available through
Chinese Mainland: | 400-120-9216 |
800-930-639 | |
1-855-883-1031 |
Additionally, a live and archived webcast of the conference call will be available on the Company's investor relations website at http://ir.music.163.com.
About
Launched in 2013 by
Please see http://ir.music.163.com/ for more information.
Forward Looking Statements
This press release contains forward-looking statements relating to the business outlook, estimates of financial performance, forecast business plans and growth strategies of the Company. These forward-looking statements are based on information currently available to the Company and are stated herein on the basis of the outlook at the time of this press release. They are based on certain expectations, assumptions and premises, some of which are subjective or beyond our control. These forward-looking statements may prove to be incorrect and may not be realised in the future. Underlying these forward-looking statements are a lot of risks and uncertainties. In light of the risks and uncertainties, the inclusion of forward-looking statements in this press release should not be regarded as representations by the Board or the Company that the plans and objectives will be achieved, and investors should not place undue reliance on such statements.
Non-IFRS Measure
To supplement our consolidated results, which are prepared and presented in accordance with International Financial Reporting Standards ("IFRS"), our Company uses adjusted net loss as an additional financial measure, which is not required by, or presented in accordance with, IFRS. We believe that this measure facilitates comparisons of operating performance from period to period and company to company by eliminating the potential impact of items that our management does not consider to be indicative of our Group's operating performance, such as certain non-cash items. The use of this non-IFRS measure has limitations as an analytical tool, and shareholders and potential investors of our Company should not consider them in isolation from, as a substitute for, analysis of, or superior to, our Group's results of operations or financial condition as reported under IFRS. In addition, this non-IFRS financial measure may be defined differently from similar terms used by other companies, and may not be comparable to other similarly titled measures used by other companies. Our presentation of this non-IFRS measure should not be construed as an implication that our future results will be unaffected by unusual or non-recurring items.
Investor Enquiries:
Cloud Music Inc.
music.ir@service.netease.com
Media Enquiries:
Li Ruohan
globalpr@service.netease.com
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SOURCE NetEase Cloud Music
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