Tencent Music Entertainment Group Announces Third Quarter 2022 Unaudited Financial Results
Tencent Music Entertainment Group (TME) reported its Q3 2022 financial results, showing a net profit of RMB1.09 billion (US$154 million), a 38.7% year-over-year increase. Total revenues decreased by 5.6% to RMB7.37 billion (US$1.04 billion), while online music revenues rose by 18.8% to RMB3.43 billion (US$482 million), driven by a 19.8% increase in paying users to 85.3 million. Despite challenges, TME repurchased $860 million of its stock, reflecting confidence in its future. The company continues to innovate and expand user interaction through new features and content partnerships.
- Net profit rose 38.7% year-over-year to RMB1.09 billion (US$154 million).
- Non-IFRS net profit increased by 35.9% to RMB1.38 billion (US$194 million).
- Music subscription revenue grew by 18.3% year-over-year to RMB2.25 billion (US$316 million).
- Paying users increased by 19.8% year-over-year to 85.3 million.
- Gross profit increased by 4.1% to RMB2.40 billion (US$338 million), with a gross margin of 32.6%.
- The company repurchased $860 million worth of stock as part of a $1 billion program.
- Total revenues decreased by 5.6% year-over-year to RMB7.37 billion (US$1.04 billion).
- Revenues from social entertainment services fell by 20% year-over-year.
- Mobile MAU for social entertainment decreased by 24.4% year-over-year.
SHENZHEN, China, Nov. 15, 2022 /PRNewswire/ -- Tencent Music Entertainment Group ("TME," or the "Company") (NYSE: TME and HKEX: 1698), the leading online music and audio entertainment platform in China, today announced its unaudited financial results for the third quarter ended September 30, 2022.
Financial and Operational Highlights
In the three months ended September 30, 2022:
- Net profit of the Company was RMB1.09 billion (US
$154 million ), representing a38.7% increase year-over-year and a22.5% increase on a sequential basis. Non-IFRS net profit of the Company[1] was RMB1.41 billion (US$198 million ), representing a32.7% increase year-over-year and a32.5% increase on a sequential basis. - Total revenues were RMB7.37 billion (US
$1.04 billion ), representing a5.6% year-over-year decrease and a6.7% increase on a sequential basis. - Revenues from music subscriptions were RMB2.25 billion (US
$316 million ), representing an increase of18.3% year-over-year. Paying users reached 85.3 million, increasing by19.8% year-over-year. On a sequential basis, the number of online music paying users grew by 2.6 million. - Net profit attributable to equity holders of the Company was RMB1.06 billion (US
$149 million ) and Non-IFRS net profit attributable to equity holders of the Company[1] was RMB1.38 billion (US$194 million ).
"As we are employing a balanced approach to grow paying users and ARPPU, revenues from online music services increased at a healthy pace in the third quarter, driven by year-over-year gains in subscriptions. Meanwhile, effective cost optimization measures and improved operating efficiency led to increased profitability amid challenging macro conditions this quarter," said Mr. Cussion Pang, Executive Chairman of TME. "Leveraging our dual engine content-and-platform strategy, we introduced more resources and optimized services to furnish music content creators and musicians with the tools they need and music lovers with the sounds and features they want. Each new element we offer drives the development of our business and the overall industry. Furthermore, completing our listing on the Main Board of The Stock Exchange of Hong Kong, in addition to our primary listing on the NYSE, demonstrates our commitment to protecting long-term value for shareholders. Also, as a token of confidence in our Company's bright future, as of the end of the third quarter, we had repurchased over
"Propelled by our innovative spirit, we introduced numerous immersive and connective product upgrades in the third quarter. Users now have even more unique ways to interact with our content and with one another as they listen, watch, sing and play," said Mr. Ross Liang, CEO of TME. "Today, we cater to more diverse music tastes and nuanced user demands than ever before. Improved experiences, together with more privileges, translate into new, attractive monetization opportunities for us to actively tap into, such as TME Live, TMELAND, Super VIP Membership, Artist Subscription and more. To supplement our expanding world of music content, we also introduced a number of tech-supported tools to facilitate long-form audio podcast creation. Our deepened connection with Tencent's broader ecosystem has continued to bolster our content production, promotion and monetization capabilities. Finally, developing music experiences with resounding positive influence is the backbone of our company. As we nurture these strengths, we continue to bring more social awareness and value to our music-empowered charity programs while supporting music and its evolution."
Recent Operational Highlights
- TME's online music and social entertainment services key operating metrics[2]
3Q22 | 3Q21 | YoY % | |
Mobile MAU - online music (million) | 587 | 636 | (7.7 %) |
Mobile MAU - social entertainment (million) | 155 | 205 | (24.4 %) |
Paying users - online music (million) | 85.3 | 71.2 | 19.8 % |
Paying users - social entertainment (million) | 7.4 | 10.0 | (26.0 %) |
Monthly ARPPU - online music (RMB) | 8.8 | 8.9 | (1.1 %) |
Monthly ARPPU - social entertainment (RMB) | 177.3 | 163.9 | 8.2 % |
- The year-over-year decline in online music mobile MAUs was primarily due to churn of our casual users amid competition from pan-entertainment platforms, as well as cost optimization measures to focus on boosting monetization efficiency as a platform of scale. Nevertheless, QQ Music DAUs continued to increase year-over-year, indicating healthy user engagement with our flagship products. Notably, online music paying users, a cohort representing high-quality users, continued to grow at a robust pace and drove paying ratio to a new record, while ARPPU also kept improving sequentially, driven by our expanding content offerings and product enhancements, as well as broadened sales channels and moderated promotions. As a result, our subscription revenue continued to deliver healthy year-over-year and quarter-over-quarter growth.
- Social entertainment services MAUs and paying users declined year-over-year due to macro headwinds. We will continue to improve our competitiveness through ongoing product innovations and new initiatives in social entertainment, such as audio live streaming, international expansion and virtual interactive product offerings.
- Our content strategy continued to strengthen the scale, quality and appeal of our content offerings.
- Broad content partnerships with top labels and artists, both domestically and internationally, to improve the diversity of collaborations:
- Teamed up with YG Entertainment, Faye Wong, Roy Wang, Lay Zhang and others to provide our users with benefits in the 30-day head start period following the release of their new songs.
- Jay Chou's digital album "Greatest Works of Art" recorded sales of close to 7 million copies by the end of the third quarter.
- Cooperated with professional institutions and industry partners in the gaming, classical and electronic music verticals to enhance our reputation as the go-to destination.
- Original content production capabilities to grow our expansive and cross-generational music library:
- Expanded the influence of our original works by bringing them to both domestic and overseas audiences. Notable examples in the third quarter included our musician Akini Jing's album Endless Farewell, which was recognized as the monthly pick by Pitchfork, a worldwide authority in music reviews, as well as a number of original singles that went viral on the internet and each raked in over 100 million streams, such as Heard from You by Dongran Yu.
- Rolled out a patented voice synthesis technology, Lingyin Engine, to accelerate original content production through technological innovations. Developed the synthetic voices in memory of legendary artists such as Teresa Teng and Anita Mui, and created an AI singer lineup with the voices of trending stars such as Yang Chaoyue, among others. As of the end of the third quarter, we have launched over 1,000 songs with AI synthetic voices.
- Tencent Musician Platform, an all-round service platform that helps indie musicians showcase their talent and passion for music:
- Empowered over 350,000 independent musicians in the third quarter to help create, distribute and monetize their music content.
- Scaled up online and offline support during the third quarter to introduce new features such as "TME Artists' Albums" which helps musicians release digital albums and brings them income generated by their albums sales. Also recommended a diverse group of our musicians to various shows and events hosted by TME and sponsored by Sprite, SAIC Audi and JD, among others, to provide strong promotion and commercial resources, and in the meantime help advertisers raise the value and influence of their brands.
- TME Live pairs on- and off-line music entertainment to bring fans various A-list performances:
- Hosted 32 online and offline performances in the third quarter by various A-list stars, including Han Hong and Wakin Chau.
- Pioneered TME Live Moment's "Vote Your Encore," an interactive feature enabling fans to vote on a concert's closing song and engage more deeply with performances.
- Our platform strategy creates an immersive, bonding experience for our users, highlighted by our four pillars of entertainment: listen, watch, sing and play.
- Became the first music platform domestically to offer new features such as Dolby Surround Sound, Adaptive Sound Adjustment, iOS 16 lock-screen widgets and more to provide a nimble user interface and a tech-oriented, professional listening experience for our users.
- Upgraded the personalized playlist function and smart recommendation feature to further simplify the listening process and bolster music discovery efficiency. As a result of these refinements, QQ Music and Kugou Music's recommendation streaming volume and time spent per user both registered year-over-year increases.
- Hosted a virtual 3D live show in TMELAND partnering with Pepsi and its virtual idol group TEAM PEPSI, with over 4 million fans joining.
- Debuted new interactive features such as Music Zone, a 2D virtual music community, and Tan Go, a music entertainment feature, to bring users even more fun ways to interact with music, artists and each other.
- Long-form Audio: We launched Shengbo, putting a one-stop audio creation assistant in our podcasters' pockets. We also enhanced our Text to Sound (TTS) technology to facilitate and supplement podcast content production.
- Social responsibility is another fundamental part of our music ecosystem. On 99 Giving Day, we teamed up with artists including Mao Buyi and Tencent Charity to launch "Hear the Light of Music," a philanthropic album, and "Surprised by Music," a charity concert, to raise awareness and funds for environmental protection, as well as young and elderly groups in rural areas.
[1] Non-IFRS net profit and Non-IFRS net profit attributable to equity holders of the Company was arrived at after excluding the combined effect of amortization of intangible assets and other assets arising from acquisitions, share-based compensation expenses, net losses/gains from investments and income tax effects. |
[2] For the definitions of the cited key operating metrics, please refer to the introduction section in the Company's 2021 20-F filed on April 26, 2022. The monthly ARPPU of social entertainment services is calculated based on revenues from social entertainment and others, including advertising services provided on our social entertainment platforms. Online music mobile MAUs for a given month refers to the sum of mobile MAUs of our music products, including QQ Music, Kugou Music and Kuwo Music, for that month; duplicate access to different services by the same device is not eliminated from the calculation. |
Third Quarter 2022 Financial Results
Revenues
Total revenues for the third quarter of 2022 decreased by RMB440 million, or
- Revenues from online music services for the third quarter of 2022 increased by
18.8% to RMB3.43 billion (US$482 million ) from RMB2.89 billion in the same period of 2021. The increase was driven by strong growth in music subscription revenues, supplemented by growth in revenues from sales of digital albums and advertising services, partially offset by a decrease in sublicensing revenues. Revenues from music subscriptions were RMB2.25 billion (US$316 million ), representing growth of18.3% compared to RMB1.90 billion in the same period of 2021, primarily due to an increase in the number of paying users by19.8% . ARPPU remained stable at RMB8.8 this quarter compared to RMB8.9 in the third quarter of 2021 and improved by3.5% sequentially, because we focused more intently on high-quality growth of our subscription revenue while maintaining a healthy ARPPU this year. The increase in revenues from sales of digital albums was mainly due to the launch of digital albums during the period. Moreover, revenues from advertising increased on both a year-over-year and sequential basis as we began to recover moderately from the impact of COVID-19 and offered more advertising formats to our customers. Sublicensing revenues decreased on a year-over-year basis due to restructuring of agreements with certain music labels.
- Revenues from social entertainment services and others for the third quarter of 2022 decreased by
20.0% to RMB3.94 billion (US$553 million ) from RMB4.92 billion in the same period of 2021. On a year-over-year basis, ARPPU increased by8.2% in the third quarter of 2022, while paying users of social entertainment services decreased by26.0% . The decrease was mainly due to the impact of the evolving macro environment and increased competition from other platforms.
Cost of Revenues
Cost of revenues for the third quarter of 2022 decreased by
Gross Profit and Gross Margin
Gross profit for the third quarter of 2022 increased by
Operating Expenses for the Period
Total operating expenses for the third quarter of 2022 decreased by
- Selling and marketing expenses were RMB245 million (US
$34 million ), representing a decrease of58.3% year-over-year from RMB587 million in the same period of 2021. This decrease was primarily due to effective control over marketing expenses and optimization of the overall promotion structure to improve operating efficiency. Our selling and marketing expenses continuously decreased during this year as we reduced the marketing spending on user acquisition and remained more focused on paying user growth.
- General and administrative expenses were RMB1.19 billion (US
$168 million ), representing an increase of13.4% year-over-year from RMB1.05 billion in the same period of 2021. After excluding the impact from the expenses related to our secondary listing, general and administrative expenses would have increased by9.2% year-over-year. The increase was mainly due to increased investment in research and development.
Operating Profit for the Period
Operating profit for the third quarter of 2022 increased by
Income Tax Expenses
Effective tax rate in the third quarter of 2022 was
Net Profit and Non-IFRS Net Profit for the Period
Net profit attributable to equity holders of the Company for the third quarter of 2022 increased by
Earnings per ADS
Basic and diluted earnings per American Depositary Shares ("ADS") were RMB0.67 (US
Cash, Cash Equivalents, Term Deposits and Short-term Investments
As of September 30, 2022, the combined balance of the Company's cash, cash equivalents, term deposits and short-term investments amounted to RMB25.45 billion (US
Share Repurchase Program
Pursuant to the US
Conference Call Information
TME's management will hold a conference call at 7:00 P.M. on Tuesday, November 15, 2022 (Hong Kong time) (6:00 A.M. on November 15, 2022, U.S. Eastern Time) to discuss the financial result for the three months ended September 30, 2022. The dial-in details of the conference call are as follows:
United States Toll Free: | +1-888-317-6003 |
International: | +1-412-317-6061 |
Mainland China Toll Free: | 400-120-6115 |
Hong Kong, China Toll Free: | 800-963-976 |
Access Code: | 2420087 |
The replay will be accessible through November 22, 2022, by dialing the following numbers:
United States Toll Free: | +1-877-344-7529 |
International: | +1-412-317-0088 |
Access Code: | 4004801 |
Additionally, a live and archived webcast of the conference call will be available on the Company's investor relations website at https://ir.tencentmusic.com/.
Exchange Rate
This announcement contains translations of certain RMB amounts into U.S. dollars ("USD") at specified rates solely for the convenience of the reader. Unless otherwise stated, all translations from RMB to USD were made at the rate of RMB7.1135 to US
Non-IFRS Financial Measure
The Company uses non-IFRS net profit for the period, which is a non-IFRS financial measure, in evaluating its operating results and for financial and operational decision-making purposes. TME believes that non-IFRS net profit helps identify underlying trends in the Company's business that could otherwise be distorted by the effect of certain expenses that the Company includes in its profit for the period. TME believes that non-IFRS net profit for the period provides useful information about its results of operations, enhances the overall understanding of its past performance and future prospects and allows for greater visibility with respect to key metrics used by its management in its financial and operational decision-making.
Non-IFRS net profit for the period should not be considered in isolation or construed as an alternative to operating profit, net profit for the period or any other measure of performance or as an indicator of its operating performance. Investors are encouraged to review non-IFRS net profit for the period and the reconciliation to its most directly comparable IFRS measure. Non-IFRS net profit for the period presented here may not be comparable to similarly titled measures presented by other companies. Other companies may calculate similarly titled measures differently, limiting their usefulness as comparative measures to the Company's data. TME encourages investors and others to review its financial information in its entirety and not rely on a single financial measure.
Non-IFRS net profit for the period represents profit for the period excluding amortization of intangible and other assets arising from acquisitions, share-based compensation expenses, net losses/gains from investments and income tax effects.
Please see the "Unaudited Non-IFRS Financial Measure" included in this press release for a full reconciliation of Non-IFRS net profit for the period to its net profit for the period.
About Tencent Music Entertainment
Tencent Music Entertainment Group (NYSE: TME and HKEX: 1698) is the leading online music and audio entertainment platform in China, operating the country's highly popular and innovative music apps: QQ Music, Kugou Music, Kuwo Music and WeSing. TME's mission is to use technology to elevate the role of music in people's lives by enabling them to create, enjoy, share and interact with music. TME's platform comprises online music, online audio, online karaoke, music-centric live streaming and online concert services, enabling music fans to discover, listen, sing, watch, perform and socialize around music. For more information, please visit ir.tencentmusic.com.
Safe Harbor Statement
This press release contains forward-looking statements. These statements are made under the "safe harbor" provisions of the U.S. Private Securities Litigation Reform Act of 1995. Statements that are not historical facts, including statements about the Company's beliefs and expectations, are forward-looking statements. Forward-looking statements involve inherent risks and uncertainties, and a number of factors could cause actual results to differ materially from those contained in any forward-looking statement. In some cases, forward-looking statements can be identified by words or phrases such as "may," "will," "expect," "anticipate," "target," "aim," "estimate," "intend," "plan," "believe," "potential," "continue," "is/are likely to" or other similar expressions. Further information regarding these and other risks, uncertainties or factors is included in the Company's filings with the SEC and the HKEX. All information provided in this press release is as of the date of this press release, and the Company does not undertake any duty to update such information, except as required under applicable law.
Investor Relations Contact
Tencent Music Entertainment Group
ir@tencentmusic.com
+86 (755) 8601-3388 ext. 818415
TENCENT MUSIC ENTERTAINMENT GROUP | |||||||||||||
CONSOLIDATED INCOME STATEMENT | |||||||||||||
Three Months Ended September 30 | Nine Months Ended September 30 | ||||||||||||
2021 | 2022 | 2021 | 2022 | ||||||||||
RMB | RMB | US$ | RMB | RMB | US$ | ||||||||
Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | ||||||||
(in millions, except per share data) | (in millions, except per share data) | ||||||||||||
Revenues | |||||||||||||
Online music services | 2,888 | 3,430 | 482 | 8,587 | 8,924 | 1,255 | |||||||
Social entertainment services and others | 4,917 | 3,935 | 553 | 15,050 | 11,990 | 1,686 | |||||||
7,805 | 7,365 | 1,035 | 23,637 | 20,914 | 2,940 | ||||||||
Cost of revenues | (5,496) | (4,962) | (698) | (16,425) | (14,588) | (2,051) | |||||||
Gross profit | 2,309 | 2,403 | 338 | 7,212 | 6,326 | 889 | |||||||
Selling and marketing expenses | (587) | (245) | (34) | (1,928) | (878) | (123) | |||||||
General and administrative expenses | (1,051) | (1,192) | (168) | (2,942) | (3,318) | (466) | |||||||
Total operating expenses | (1,638) | (1,437) | (202) | (4,870) | (4,196) | (590) | |||||||
Interest income | 131 | 186 | 26 | 408 | 487 | 68 | |||||||
Other gains, net | 117 | 109 | 15 | 368 | 438 | 62 | |||||||
Operating profit | 919 | 1,261 | 177 | 3,118 | 3,055 | 429 | |||||||
Share of net profit/(loss) of investments accounted for | 1 | 8 | 1 | (48) | 22 | 3 | |||||||
Finance cost | (30) | (24) | (3) | (90) | (77) | (11) | |||||||
Profit before income tax | 890 | 1,245 | 175 | 2,980 | 3,000 | 422 | |||||||
Income tax expense | (102) | (152) | (21) | (342) | (366) | (51) | |||||||
Profit for the period | 788 | 1,093 | 154 | 2,638 | 2,634 | 370 | |||||||
Attributable to: | |||||||||||||
Equity holders of the Company | 740 | 1,061 | 149 | 2,493 | 2,526 | 355 | |||||||
Non-controlling interests | 48 | 32 | 4 | 145 | 108 | 15 | |||||||
Earnings per share for Class A and Class | |||||||||||||
Basic | 0.22 | 0.33 | 0.05 | 0.75 | 0.78 | 0.11 | |||||||
Diluted | 0.22 | 0.33 | 0.05 | 0.74 | 0.78 | 0.11 | |||||||
Earnings per ADS (2 Class A shares | |||||||||||||
Basic | 0.45 | 0.67 | 0.09 | 1.50 | 1.57 | 0.22 | |||||||
Diluted | 0.44 | 0.66 | 0.09 | 1.47 | 1.55 | 0.22 | |||||||
Shares used in earnings per Class A and | |||||||||||||
Basic | 3,305,669,441 | 3,176,110,236 | 3,176,110,236 | 3,334,040,031 | 3,224,870,392 | 3,224,870,392 | |||||||
Diluted | 3,337,499,968 | 3,206,799,580 | 3,206,799,580 | 3,382,627,682 | 3,255,991,564 | 3,255,991,564 | |||||||
ADS used in earnings per ADS | |||||||||||||
Basic | 1,652,834,720 | 1,588,055,118 | 1,588,055,118 | 1,667,020,016 | 1,612,435,196 | 1,612,435,196 | |||||||
Diluted | 1,668,749,984 | 1,603,399,790 | 1,603,399,790 | 1,691,313,841 | 1,627,995,782 | 1,627,995,782 |
TENCENT MUSIC ENTERTAINMENT GROUP | |||||||||||||
UNAUDITED NON-IFRS FINANCIAL MEASURE | |||||||||||||
Three Months Ended September 30 | Nine Months Ended September 30 | ||||||||||||
2021 | 2022 | 2021 | 2022 | ||||||||||
RMB | RMB | US$ | RMB | RMB | US$ | ||||||||
(in millions, except per share data) | (in millions, except per share data) | ||||||||||||
Profit for the period | 788 | 1,093 | 154 | 2,638 | 2,634 | 370 | |||||||
Adjustments: | |||||||||||||
Amortization of intangible and other assets arising | 127 | 130 | 18 | 357 | 372 | 52 | |||||||
Share-based compensation | 202 | 226 | 32 | 551 | 656 | 92 | |||||||
(Gains)/Losses from investments** | (21) | - | - | 16 | (141) | (20) | |||||||
Income tax effects*** | (33) | (38) | (5) | (103) | (106) | (15) | |||||||
Non-IFRS Net Profit | 1,063 | 1,411 | 198 | 3,459 | 3,415 | 480 | |||||||
Attributable to: | |||||||||||||
Equity holders of the Company | 1,015 | 1,379 | 194 | 3,314 | 3,307 | 465 | |||||||
Non-controlling interests | 48 | 32 | 4 | 145 | 108 | 15 | |||||||
Earnings per share for Class A and Class B | |||||||||||||
Basic | 0.31 | 0.43 | 0.06 | 0.99 | 1.03 | 0.14 | |||||||
Diluted | 0.30 | 0.43 | 0.06 | 0.98 | 1.02 | 0.14 | |||||||
Earnings per ADS (2 Class A shares equal to 1 | |||||||||||||
Basic | 0.61 | 0.87 | 0.12 | 1.99 | 2.05 | 0.29 | |||||||
Diluted | 0.61 | 0.86 | 0.12 | 1.96 | 2.03 | 0.29 | |||||||
Shares used in earnings per Class A and | |||||||||||||
Basic | 3,305,669,441 | 3,176,110,236 | 3,176,110,236 | 3,334,040,031 | 3,224,870,392 | 3,224,870,392 | |||||||
Diluted | 3,337,499,968 | 3,206,799,580 | 3,206,799,580 | 3,382,627,682 | 3,255,991,564 | 3,255,991,564 | |||||||
ADS used in earnings per ADS computation | |||||||||||||
Basic | 1,652,834,720 | 1,588,055,118 | 1,588,055,118 | 1,667,020,016 | 1,612,435,196 | 1,612,435,196 | |||||||
Diluted | 1,668,749,984 | 1,603,399,790 | 1,603,399,790 | 1,691,313,841 | 1,627,995,782 | 1,627,995,782 | |||||||
* Represents the amortization of identifiable assets, including intangible assets and prepayments for music content, resulting from acquisitions | |||||||||||||
** Including the net losses/gains on deemed disposals/disposals of investments, fair value changes arising from investments, impairment provision of investments and other expenses in relation to equity transactions of investments | |||||||||||||
*** Represents the income tax effects of Non-IFRS adjustments |
TENCENT MUSIC ENTERTAINMENT GROUP | ||||||
CONSOLIDATED BALANCE SHEET | ||||||
As at December 31, 2021 | As at September 30, 2022 | |||||
RMB | RMB | US$ | ||||
Audited | Unaudited | Unaudited | ||||
(in millions) | ||||||
ASSETS | ||||||
Non-current assets | ||||||
Property, plant and equipment | 243 | 289 | 41 | |||
Land use rights | 1,495 | 2,499 | 351 | |||
Right-of-use assets | 283 | 435 | 61 | |||
Intangible assets | 2,829 | 2,491 | 350 | |||
Goodwill | 19,121 | 19,493 | 2,740 | |||
Investments accounted for using equity method | 3,599 | 4,386 | 617 | |||
Financial assets at fair value through other comprehensive | 7,302 | 3,172 | 446 | |||
Other investments | 199 | 299 | 42 | |||
Prepayments, deposits and other assets | 743 | 659 | 93 | |||
Deferred tax assets | 346 | 392 | 55 | |||
Term deposits | 4,303 | 6,570 | 924 | |||
40,463 | 40,685 | 5,719 | ||||
Current assets | ||||||
Inventories | 24 | 20 | 3 | |||
Accounts receivable | 3,610 | 2,916 | 410 | |||
Prepayments, deposits and other assets | 2,731 | 4,221 | 593 | |||
Other investments | 37 | 37 | 5 | |||
Short-term investments | 1,029 | - | - | |||
Term deposits | 12,769 | 10,294 | 1,447 | |||
Cash and cash equivalents | 6,591 | 8,582 | 1,206 | |||
26,791 | 26,070 | 3,665 | ||||
Total assets | 67,254 | 66,755 | 9,384 | |||
EQUITY | ||||||
Equity attributable to equity holders of the | ||||||
Share capital | 2 | 2 | 0 | |||
Additional paid-in capital | 36,238 | 36,493 | 5,130 | |||
Shares held for share award schemes | (183) | (200) | (28) | |||
Treasury shares | (3,660) | (5,445) | (765) | |||
Other reserves | 3,726 | 5,404 | 760 | |||
Retained earnings | 14,194 | 10,970 | 1,542 | |||
50,317 | 47,224 | 6,639 | ||||
Non-controlling interests | 738 | 1,070 | 150 | |||
Total equity | 51,055 | 48,294 | 6,789 | |||
LIABILITIES | ||||||
Non-current liabilities | ||||||
Notes payables | 5,062 | 5,641 | 793 | |||
Accounts payable | 93 | - | - | |||
Other payables and other liabilities | 32 | 6 | 1 | |||
Deferred tax liabilities | 271 | 219 | 31 | |||
Lease liabilities | 205 | 349 | 49 | |||
Deferred revenue | 86 | 108 | 15 | |||
5,749 | 6,323 | 889 | ||||
Current liabilities | ||||||
Accounts payable | 4,329 | 4,838 | 680 | |||
Other payables and other liabilities | 3,832 | 4,490 | 631 | |||
Current tax liabilities | 363 | 476 | 67 | |||
Lease liabilities | 92 | 99 | 14 | |||
Deferred revenue | 1,834 | 2,235 | 314 | |||
10,450 | 12,138 | 1,706 | ||||
Total liabilities | 16,199 | 18,461 | 2,595 | |||
Total equity and liabilities | 67,254 | 66,755 | 9,384 |
TENCENT MUSIC ENTERTAINMENT GROUP | ||||||||||||
CONDENSED CONSOLIDATED STATEMENTS OF CASH FLOWS | ||||||||||||
Three Months Ended September 30 | Nine Months Ended September 30 | |||||||||||
2021 | 2022 | 2021 | 2022 | |||||||||
RMB | RMB | US$ | RMB | RMB | US$ | |||||||
Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | |||||||
(in millions) | (in millions) | |||||||||||
Net cash provided by operating activities | 1,595 | 1,252 | 176 | 4,417 | 4,987 | 701 | ||||||
Net cash used in investing activities | (1,692) | (1,243) | (175) | (6,995) | (338) | (48) | ||||||
Net cash used in financing activities | (1,651) | (1,668) | (234) | (3,424) | (3,036) | (427) | ||||||
Net (decrease)/increase in cash and cash equivalents | (1,748) | (1,659) | (233) | (6,002) | 1,613 | 227 | ||||||
Cash and cash equivalents at beginning of the period | 6,822 | 10,044 | 1,412 | 11,128 | 6,591 | 927 | ||||||
Exchange differences on cash and cash equivalents | 4 | 197 | 28 | (48) | 378 | 53 | ||||||
Cash and cash equivalents at end of the period | 5,078 | 8,582 | 1,206 | 5,078 | 8,582 | 1,206 |
View original content:https://www.prnewswire.com/news-releases/tencent-music-entertainment-group-announces-third-quarter-2022-unaudited-financial-results-301677824.html
SOURCE Tencent Music Entertainment Group
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