Tencent Music Entertainment Group Announces Fourth Quarter and Full Year 2020 Unaudited Financial Results
Tencent Music Entertainment Group (TME) reported its fourth quarter and full-year 2020 financial results, demonstrating strong performance amidst the pandemic. For Q4, total revenues reached RMB8.34 billion (US$1.28 billion), a 14.3% YoY increase, with online music service revenues climbing by 29.0% to RMB2.76 billion (US$423 million). Net profit for the quarter was RMB1.20 billion (US$183 million), reflecting a YoY growth of 15.4%. For the full year, revenues increased 14.6% to RMB29.15 billion (US$4.47 billion). Key highlights include a 40.4% rise in online music paying users, totaling 56 million, and significant advertising revenue growth over 100% YoY.
- Online music paying users reached 56.0 million, up 40.4% YoY.
- Total revenues increased by 14.3% YoY to RMB8.34 billion (US$1.28 billion).
- Online music service revenues rose by 29.0% YoY to RMB2.76 billion (US$423 million).
- Advertising services achieved over 100% YoY growth in Q4.
- Full-year revenues increased by 14.6% to RMB29.15 billion (US$4.47 billion).
- Gross profit increased by only 8.4% YoY, with gross margin decreasing to 32.4% from 34.1% due to rising costs.
- Operating expenses rose 18.4% to RMB1.68 billion (US$257 million), increasing as a percentage of total revenues.
SHENZHEN, China, March 22, 2021 /PRNewswire/ -- Tencent Music Entertainment Group ("Tencent Music," "TME," or the "Company") (NYSE: TME), the leading online music entertainment platform in China, today announced its unaudited financial results for the fourth quarter and full year ended December 31, 2020.
Financial and Operational Highlights
In the three months ended December 31, 2020:
- Online music paying users reached 56.0 million, increasing by
40.4% year-over-year. On a sequential basis, the number of online music paying users grew by 4.3 million. Paying ratio was9.0% , up from8.0% in the third quarter of this year and6.2% in the fourth quarter of last year. - Total revenues were RMB8.34 billion (US
$1.28 billion ), representing an increase of14.3% year-over-year. - Online music service revenues grew by
29.0% year-over-year, up from25.9% in the third quarter of 2020. Revenues from music subscriptions were RMB1.58 billion (US$242 million ), representing41.9% year-over-year growth. Advertising services recorded over100% year-over-year growth in the fourth quarter of 2020. - Net profit attributable to equity holders of the Company was RMB1.20 billion (US
$183 million ). - Non-IFRS net profit attributable to equity holders of the Company[1] was RMB1.35 billion (US
$207 million ).
In the full year ended December 31, 2020:
- Total revenues increased by
14.6% year-over-year to RMB29.15 billion (US$4.47 billion ). - Net profit attributable to equity holders of the Company increased by
4.3% year-over-year to RMB4.16 billion (US$637 million ). - Non-IFRS net profit attributable to equity holders of the Company[1] increased by
0.9% year-over-year to RMB4.95 billion (US$759 million ).
[1] Non-IFRS net profit attributable to equity holders of the Company was arrived at after excluding the combined effect of amortization of intangible assets and other assets arising from acquisitions, share-based compensation expenses, net losses/gains from investments, fair value change on puttable shares and income tax effects. |
"In 2020, we demonstrated resilience and agility during and after the COVID-19 pandemic. We forged ahead with our operations, invested in technologies to customize services and introduced new products to meet the evolving demands of our users. Our fourth quarter results were underpinned by strong performance in online music services, which registered outstanding year-over-year revenue growth of
"We have already started 2021 with exciting accomplishments, including expanding our online music and audio entertainment ecosystem, deepening user engagement and further diversifying our business model. Motivated by our fundamental dedication to continually improve the user experience, we are confident to be on the cusp of new opportunities and sustainable growth for many years to come," concluded Mr. Pang.
Recent Operational Highlights
- TME's online music and social entertainment services key operating metrics*
4Q20 | 4Q19 | YoY % | |
Mobile MAU - online music (million) | 622 | 644 | ( |
Mobile MAU - social entertainment (million) | 223 | 233 | ( |
Paying users - online music (million) | 56.0 | 39.9 | |
Paying users - social entertainment (million) | 10.8 | 12.6 | ( |
Monthly ARPPU - online music (RMB) | 9.4 | 9.3 | |
Monthly ARPPU - social entertainment (RMB) | 172.1 | 136.3 |
We achieved solid progress across full business spectrum in 2020, in terms of scale, industry leadership, content diversification and enrichment, monetization, and innovation, solidifying our position as a leading all-in-one music and audio entertainment platform in China, and building a strong foundation for our music content ecosystem:
- On the music content front, we strived for comprehensive coverage through category expansion and deepening penetration, inspired to better serve the evolving needs of our diverse users:
- We made significant progress in trend-setting genres during the fourth quarter through: a) increasing new hit content coverage substantially, driven by our proprietary trend prediction algorithms and expanding promotional capabilities; b) comprehensive partnerships with leading rap music labels such as GOSH and 404 Rapper; c) notable breakthroughs in promoting hip-hop and Chinese ancient style music, latter of which was streamed over 100 billion times in 2020.
- Tencent Musician Platform continued to expand rapidly: a) the number of participating indie musicians continued to grow over100% year-over-year in the fourth quarter; b) the number of exclusive indie musicians increased by 13 times in the fourth quarter, compared to the same period a year ago; c) the number of original songs uploaded doubled year-over-year, reaching over 1 million by the end of 2020; d) as of the end of 2020, efforts to promote diversity and gender equality resulted in nearly40% of total artists on our Tencent Musician Platform being female, compared with industry average of around20% in China.
- In January 2021, the Tencent-led consortium in which we have approximately10% equity interest increased total equity stake in Universal Music Group ("UMG") to20% , following the multi-year extension of our licensing agreement with UMG in 2020.
- In March 2021, we extended our multi-year strategic licensing agreement with Warner Recorded Music ("WRM") upon its future expiration. As part of the extension, we also agreed to establish a new joint venture record label in China as well as expand the partnership to a wider range, including the usage of WRM's content across all our music and entertainment platforms, as well as developing new opportunities in music-for-business solutions and connected devices.
- Positioning music as a home ground, we upgraded our products to be more social, personalized and visually appealing to improve user experience in the fourth quarter:
- Putong Community achieved a steady sequential increase in user penetration and user retention. Fans Club, Kugou Music's new community channel, recorded a15% sequential increase in total user time spent. Of note, almost half of combined users of Putong Community and Fans Club are in their teens and mid 20's.
- Our pioneering embedded MVs in Kugou Music streaming page experienced over70% sequential increase in users, driving a rapidly increasing daily total time spent on MVs.
- Personalized recommendation streams as a proportion of total streams increased sequentially.
- Extending our business boundaries, we vigorously developed long-form audio through a two-pronged approach by integrating with our music applications as well as launching a standalone application, and achieved significant milestones. During the fourth quarter:
- We significantly enriched long-form audio content offering with the number of licensed titles increased by370% year-over-year.
- MAU penetration increased to14.8% , from5.5% for the same period last year, together with a sequential uplift in average daily user time spent on long-form audio.
- In January 2021, we entered into a definitive agreement to acquire100% equity interest of Shenzhen Lanren Online Technology Co, Ltd ("Lazy Audio" or "Lanren tingshu"), to significantly enrich our audio content offering and boost our production of audiobooks.
- While our online music MAUs slightly declined, core users on our platform are increasingly engaged and we saw a year-over-year increase in average daily user time spent on our platform during the fourth quarter. This is a result of our concerted efforts to enrich music and audio content offering as well as launches of innovative product features and services for Putong Community and TME Live.
- Apart from being a pioneer of digital albums in China, we continue to transform and innovate a fan-based economy to include music chart operations and recently successfully rolled out online concerts with virtual fan-idol gatherings. In the fourth quarter, we released various digital albums, including:
- "π-volume.4" by LUHAN, a well-known trend-setting male singer;
- "THE ALBUM" by BLACKPINK, a top Asian female band;
- "In My Thoughts" by Zhang Yunlei, an up-and-coming artist who is a singer and a Chinese comedian; and,
- three digital releases by JJ Lin, including his fourteenth album, "Drifter • Like You Do", which topped multiple music charts on the first day of its release.
- Centering on singing, we added more playful elements to online singing rooms and multi-genre remix and auto-tune tools which have further bolstered the social and entertainment aspects of WeSing, and contributed to stabilization of MAUs and improvement on user engagement and monetization efficiency.
- Tapping into the prevailing trend of accelerated internet penetration, we built an innovative online-merge-offline performance ecosystem to pursue additional growth. TME Live has been growing from strength to strength and its audience and influence has continued to expand. Leveraging its influence, we expect to expand TME Live's coverage beyond top artists and provide performance opportunities to foster a wider range of musicians:
- Hosted more than 50 online live concerts since its launch with 25 in the fourth quarter for musicians from home and abroad including aMei, Mayday, Stefanie Sun, Billie Eilish and Tomorrowland.
- Benefiting from increasing brand awareness, TME Live continued to attract sponsorships from reputable brands, paving the way for further monetization opportunities.
- We strived to establish a fair and most credible content evaluation system for China's music industry which in turn enhanced our promotional capabilities as well as industry influence. Our Uni Chart was awarded the most influential digital music chart of 2020 by Tech Innovators Conference organized by PingWest, a service provider and a voice for the global technology community.
[*] For the definitions of the cited key operating metrics, please refer to the introduction section in the Company's 2019 20-F filed on March 25, 2020. The monthly ARPPU of social entertainment services is calculated based on revenues from social entertainment and others, including advertising services provided on our social entertainment platforms. |
Fourth Quarter 2020 Financial Results
Revenues
Total revenues for the fourth quarter of 2020 increased by RMB1.04 billion, or
- Revenues from online music services for the fourth quarter of 2020 increased by
29.0% to RMB2.76 billion (US$423 million ) from RMB2.14 billion in the same period of 2019. The increase was driven by strong growth in music subscription revenues and advertising revenues, despite a decrease in sublicensing revenues. Revenues from music subscriptions were RMB1.58 billion (US$242 million ), representing41.9% growth compared to RMB1.11 billion in the fourth quarter of 2019, primarily due to the increase in the number of paying users by40.4% . - Revenues from social entertainment services and others for the fourth quarter of 2020 increased by
8.2% to RMB5.58 billion (US$854 million ) from RMB5.15 billion in the same period of 2019. The increase was driven by increased revenues from online karaoke services. On a year-over-year basis, ARPPU increased by26.3% in the fourth quarter of 2020 while paying users of social entertainment services decreased by14.3% .
Cost of Revenues
Cost of revenues for the fourth quarter of 2020 increased by
Gross Profit and Gross Margin
Gross profit for the fourth quarter of 2020 increased by
Operating Expenses for the Period
Total operating expenses for the fourth quarter of 2020 increased by
- Selling and marketing expenses were RMB773 million (US
$118 million ), representing9.3% of total revenues in the fourth quarter of 2020, as compared to9.2% in the same period of 2019. This increase was primarily due to increased spending to promote our brands, products and new offering. - General and administrative expenses were RMB906 million (US
$139 million ), representing10.9% of total revenues in the fourth quarter of 2020, as compared to10.2% in the same period of 2019. The increase was mainly due to our increased investment in research and development to expand our competitive advantages in product and technology innovations.
Operating Profit for the Period
Operating profit was RMB1.30 billion (US
Income Tax Expenses
Effective tax rate for the fourth quarter of 2020 was
Net Profit and Non-IFRS Net Profit for the Period
Net profit attributable to equity holders of the Company for the fourth quarter of 2020 was RMB1.20 billion (US
Earnings per ADS
Basic and diluted earnings per American Depositary Shares ("ADS") were RMB0.72 (US
Cash Flows
Net cash provided by operating activities for the fourth quarter of 2020 was RMB1.86 billion (US
Cash, Cash Equivalents and Term Deposits
As of December 31, 2020, the combined balance of the Company's cash, cash equivalents and term deposits amounted to RMB28.94 billion (US
Full Year 2020 Financial Results
Revenues
Total revenues for the full year of 2020 increased by RMB3.72 billion, or
- Revenues from online music services for the full year of 2020 increased by
30.7% to RMB9.35 billion (US$1.43 billion ) from RMB7.15 billion in the same period of 2019. The increase was driven by strong growth in music subscription revenues and advertising revenues, supplemented by growth in sales of digital albums, despite a decrease in sublicensing revenues. Revenues from music subscriptions were RMB5.56 billion (US$852 million ), representing56.0% growth compared to RMB3.56 billion for the full year of 2019, primarily due to the increase in the number of paying users by46.6% and the improvement of monthly ARPPU by6.8% . - Revenues from social entertainment services and others for the full year of 2020 increased by
8.3% to RMB19.80 billion (US$3.04 billion ) from RMB18.28 billion in the same period of 2019, contributed by the revenue growth in online karaoke service, supplemented by growth in live streaming services. The increase was primary due to the improvement of monthly ARPPU by8.6% .
Cost of Revenues
Cost of revenues for the full year of 2020 increased by
Gross Profit and Gross Margin
Gross profit for the full year of 2020 increased by
Operating Expenses for the Year
Total operating expenses for the full year of 2020 increased by
- Selling and marketing expenses were RMB2.48 billion (US
$379 million ), representing8.5% of total revenues for the full year of 2020, as compared to8.0% in the same period of 2019. The increase was primarily due to increased spending in promoting new products and content offering as we continue to invest for their future growth. Additionally, we also increased spending to promote our brands and existing products in order to strengthen our company and products' competitiveness. - General and administrative expenses were RMB3.10 billion (US
$475 million ), representing10.6% of total revenues for the full year of 2020, as compared to10.6% in the same period of 2019.
Operating Profit for the Year
Operating profit was RMB4.71 billion (US
Income Tax Expenses
Effective tax rate was
Net Profit and Non-IFRS Net Profit for the Year
Net profit attributable to equity holders of the Company for the full year of 2020 was RMB4.16 billion (US
Earnings per ADS
Basic and diluted earnings per ADS were RMB2.51 (US
Conference Call Information
Tencent Music's management will hold a conference call on Monday, March 22, 2021, at 8:00 P.M. Eastern Time or 8:00 A.M. Beijing Time on Tuesday, March 23, 2021, to discuss the financial results. Listeners may access the call by dialing the following numbers:
United States Toll Free: | +1-888-317-6003 |
International: | +1-412-317-6061 |
Mainland China Toll Free: | 400-120-6115 |
Hong Kong, China Toll Free: | 800-963-976 |
Access Code: | 6516722 |
The replay will be accessible through March 29, 2021, by dialing the following numbers:
United States Toll Free: | +1-877-344-7529 |
International: | +1-412-317-0088 |
Access Code: | 10151724 |
A live and archived webcast of the conference call will also be available on the Company's investor relations website at https://ir.tencentmusic.com/.
Exchange Rate
This announcement contains translations of certain RMB amounts into U.S. dollars ("USD") at specified rates solely for the convenience of the reader. Unless otherwise stated, all translations from RMB to USD were made at the rate of RMB6.5250 to US
Non-IFRS Financial Measure
The Company uses non-IFRS net profit for the period, which is a non-IFRS financial measure, in evaluating its operating results and for financial and operational decision-making purposes. Tencent Music believes that non-IFRS net profit helps identify underlying trends in the Company's business that could otherwise be distorted by the effect of certain expenses that the Company includes in its profit for the period. Tencent Music believes that non-IFRS net profit for the period provides useful information about its results of operations, enhances the overall understanding of its past performance and future prospects and allows for greater visibility with respect to key metrics used by its management in its financial and operational decision-making.
Non-IFRS net profit for the period should not be considered in isolation or construed as an alternative to operating profit, net profit for the period or any other measure of performance or as an indicator of its operating performance. Investors are encouraged to review non-IFRS net profit for the period and the reconciliation to its most directly comparable IFRS measure. Non-IFRS net profit for the period presented here may not be comparable to similarly titled measures presented by other companies. Other companies may calculate similarly titled measures differently, limiting their usefulness as comparative measures to the Company's data. Tencent Music encourages investors and others to review its financial information in its entirety and not rely on a single financial measure.
Non-IFRS net profit for the period represents profit for the year excluding amortization of intangible and other assets arising from acquisitions, share-based compensation expenses, net losses/gains from investments, fair value change on puttable shares and income tax effects.
Please see the "Unaudited Non-IFRS Financial Measure" included in this press release for a full reconciliation of Non-IFRS net profit for the period to its net profit for the period.
About Tencent Music Entertainment
Tencent Music Entertainment Group (NYSE: TME) is the leading online music entertainment platform in China, operating the country's highly popular and innovative music apps: QQ Music, Kugou Music, Kuwo Music and WeSing. Tencent Music's mission is to use technology to elevate the role of music in people's lives by enabling them to create, enjoy, share and interact with music. Tencent Music's platform comprises online music, online karaoke and music-centric live streaming services, enabling music fans to discover, listen, sing, watch, perform and socialize around music. For more information, please visit ir.tencentmusic.com.
Safe Harbor Statement
This press release contains forward-looking statements. These statements are made under the "safe harbor" provisions of the U.S. Private Securities Litigation Reform Act of 1995. Statements that are not historical facts, including statements about the Company's beliefs and expectations, are forward-looking statements. Forward-looking statements involve inherent risks and uncertainties, and a number of factors could cause actual results to differ materially from those contained in any forward-looking statement. In some cases, forward-looking statements can be identified by words or phrases such as "may," "will," "expect," "anticipate," "target," "aim," "estimate," "intend," "plan," "believe," "potential," "continue," "is/are likely to" or other similar expressions. Further information regarding these and other risks, uncertainties or factors is included in the Company's filings with the SEC. All information provided in this press release is as of the date of this press release, and the Company does not undertake any duty to update such information, except as required under applicable law.
Investor Relations Contact
Tencent Music Entertainment Group
ir@tencentmusic.com
+86 (755) 8601-3388 ext. 883606
TENCENT MUSIC ENTERTAINMENT GROUP | ||||||||||||
CONSOLIDATED INCOME STATEMENT | ||||||||||||
Three Months Ended December 31, | Year Ended December 31, | |||||||||||
2019 | 2020 | 2019 | 2020 | |||||||||
RMB | RMB | US$ | RMB | RMB | US$ | |||||||
Unaudited | Unaudited | Unaudited | Audited | Unaudited | Unaudited | |||||||
(in millions, except per share data) | (in millions, except per share data) | |||||||||||
Revenues | ||||||||||||
Online music services | 2,139 | 2,760 | 423 | 7,152 | 9,349 | 1,433 | ||||||
Social entertainment services and others | 5,154 | 5,575 | 854 | 18,282 | 19,804 | 3,035 | ||||||
7,293 | 8,335 | 1,277 | 25,434 | 29,153 | 4,468 | |||||||
Cost of revenues | (4,805) | (5,638) | (864) | (16,761) | (19,851) | (3,042) | ||||||
Gross profit | 2,488 | 2,697 | 413 | 8,673 | 9,302 | 1,426 | ||||||
Selling and marketing expenses | (671) | (773) | (118) | (2,041) | (2,475) | (379) | ||||||
General and administrative expenses | (747) | (906) | (139) | (2,703) | (3,101) | (475) | ||||||
Total operating expenses | (1,418) | (1,679) | (257) | (4,744) | (5,576) | (855) | ||||||
Interest income | 173 | 156 | 24 | 615 | 622 | 95 | ||||||
Other (losses)/gains, net | (41) | 122 | 19 | 78 | 362 | 55 | ||||||
Operating profit | 1,202 | 1,296 | 199 | 4,622 | 4,710 | 722 | ||||||
Share of net (loss)/profit of investments | (8) | 5 | 1 | (18) | 19 | 3 | ||||||
Finance cost | (7) | (18) | (3) | (64) | (97) | (15) | ||||||
Profit before income tax | 1,187 | 1,283 | 197 | 4,540 | 4,632 | 710 | ||||||
Income tax expense | (147) | (71) | (11) | (563) | (456) | (70) | ||||||
Profit for the period/year | 1,040 | 1,212 | 186 | 3,977 | 4,176 | 640 | ||||||
Attributable to: | ||||||||||||
Equity holders of the Company | 1,042 | 1,197 | 183 | 3,982 | 4,155 | 637 | ||||||
Non-controlling interests | (2) | 15 | 2 | (5) | 21 | 3 | ||||||
Earnings per share for Class A and Class | ||||||||||||
Basic | 0.32 | 0.36 | 0.06 | 1.22 | 1.25 | 0.19 | ||||||
Diluted | 0.31 | 0.36 | 0.05 | 1.19 | 1.24 | 0.19 | ||||||
Earnings per ADS (2 Class A shares | ||||||||||||
Basic | 0.63 | 0.72 | 0.11 | 2.43 | 2.51 | 0.38 | ||||||
Diluted | 0.62 | 0.71 | 0.11 | 2.38 | 2.47 | 0.38 | ||||||
Shares used in earnings per Class A and | ||||||||||||
Basic | 3,298,087,474 | 3,320,795,974 | 3,320,795,974 | 3,272,754,403 | 3,313,527,847 | 3,313,527,847 | ||||||
Diluted | 3,349,111,362 | 3,364,932,615 | 3,364,932,615 | 3,347,572,338 | 3,360,460,759 | 3,360,460,759 | ||||||
ADS used in earnings per ADS | ||||||||||||
Basic | 1,649,043,737 | 1,660,397,987 | 1,660,397,987 | 1,636,377,201 | 1,656,763,924 | 1,656,763,924 | ||||||
Diluted | 1,674,555,681 | 1,682,466,307 | 1,682,466,307 | 1,673,786,169 | 1,680,230,380 | 1,680,230,380 |
TENCENT MUSIC ENTERTAINMENT GROUP | |||||||||||||
UNAUDITED NON-IFRS FINANCIAL MEASURE | |||||||||||||
Three Months Ended December 31, | Year Ended December 31, | ||||||||||||
2019 | 2020 | 2019 | 2020 | ||||||||||
RMB | RMB | US$ | RMB | RMB | US$ | ||||||||
(in millions, except per share data) | (in millions, except per share data) | ||||||||||||
Profit for the period/year | 1,040 | 1,212 | 186 | 3,977 | 4,176 | 640 | |||||||
Adjustments: | |||||||||||||
Amortization of intangible and other assets arising | 91 | 103 | 16 | 362 | 392 | 60 | |||||||
Share-based compensation | 137 | 141 | 22 | 519 | 570 | 87 | |||||||
Losses/(gains) from investments** | 80 | (39) | (6) | 79 | (101) | (15) | |||||||
Fair value change on puttable shares *** | 10 | 9 | 1 | 37 | 37 | 6 | |||||||
Income tax effects**** | (18) | (62) | (10) | (71) | (103) | (16) | |||||||
Non-IFRS Net Profit | 1,340 | 1,364 | 209 | 4,903 | 4,971 | 762 | |||||||
Attributable to: | |||||||||||||
Equity holders of the Company | 1,342 | 1,349 | 207 | 4,908 | 4,950 | 759 | |||||||
Non-controlling interests | (2) | 15 | 2 | (5) | 21 | 3 | |||||||
Earnings per share for Class A and Class B | |||||||||||||
Basic | 0.41 | 0.41 | 0.06 | 1.50 | 1.49 | 0.23 | |||||||
Diluted | 0.40 | 0.40 | 0.06 | 1.47 | 1.47 | 0.23 | |||||||
Earnings per ADS (2 Class A shares equal to 1 | |||||||||||||
Basic | 0.81 | 0.81 | 0.12 | 3.00 | 2.99 | 0.46 | |||||||
Diluted | 0.80 | 0.80 | 0.12 | 2.93 | 2.95 | 0.45 | |||||||
Shares used in earnings per Class A and | |||||||||||||
Basic | 3,298,087,474 | 3,320,795,974 | 3,320,795,974 | 3,272,754,403 | 3,313,527,847 | 3,313,527,847 | |||||||
Diluted | 3,349,111,362 | 3,364,932,615 | 3,364,932,615 | 3,347,572,338 | 3,360,460,759 | 3,360,460,759 | |||||||
ADS used in earnings per ADS computation | |||||||||||||
Basic | 1,649,043,737 | 1,660,397,987 | 1,660,397,987 | 1,636,377,201 | 1,656,763,924 | 1,656,763,924 | |||||||
Diluted | 1,674,555,681 | 1,682,466,307 | 1,682,466,307 | 1,673,786,169 | 1,680,230,380 | 1,680,230,380 | |||||||
* Represents the amortization of identifiable assets, including intangible assets and prepayments for music content, resulting from acquisitions | |||||||||||||
** Including the net losses/gains on deemed disposals/disposals of investments, fair value changes arising from investments, impairment provision of investments and other | |||||||||||||
*** Represents the fair value changes on the put liability of certain shares issued in 2018 | |||||||||||||
**** Represents the income tax effects of Non-IFRS adjustments |
TENCENT MUSIC ENTERTAINMENT GROUP | ||||||
CONSOLIDATED BALANCE SHEET | ||||||
As at December 31, 2019 | As at December 31, 2020 | |||||
RMB | RMB | US$ | ||||
Audited | Unaudited | Unaudited | ||||
(in millions) | ||||||
ASSETS | ||||||
Non-current assets | ||||||
Property, plant and equipment | 179 | 176 | 27 | |||
Right-of-use assets | 148 | 311 | 48 | |||
Intangible assets | 1,622 | 2,020 | 310 | |||
Goodwill | 17,140 | 17,492 | 2,681 | |||
Investments accounted for using equity method | 489 | 2,255 | 346 | |||
Financial assets at fair value through other comprehensive income | 4,461 | 9,771 | 1,497 | |||
Other investments | 217 | 349 | 53 | |||
Prepayments, deposits and other assets | 816 | 956 | 147 | |||
Deferred tax assets | 192 | 303 | 46 | |||
Term deposits | 500 | 2,953 | 453 | |||
25,764 | 36,586 | 5,607 | ||||
Current assets | ||||||
Inventories | 26 | 18 | 3 | |||
Accounts receivable | 2,198 | 2,800 | 429 | |||
Prepayments, deposits and other assets | 2,220 | 2,846 | 436 | |||
Other investments | 38 | 37 | 6 | |||
Short-term investments | 6 | - | - | |||
Term deposits | 7,000 | 14,858 | 2,277 | |||
Cash and cash equivalents | 15,426 | 11,128 | 1,705 | |||
26,914 | 31,687 | 4,856 | ||||
Total assets | 52,678 | 68,273 | 10,463 | |||
EQUITY | ||||||
Equity attributable to equity holders of the | ||||||
Share capital | 2 | 2 | 0 | |||
Additional paid-in capital | 34,425 | 35,044 | 5,371 | |||
Shares held for share award schemes | (31) | (78) | (12) | |||
Treasury shares | (134) | (21) | ||||
Other reserves | 2,187 | 6,300 | 966 | |||
Retained earnings | 7,007 | 11,111 | 1,703 | |||
43,590 | 52,245 | 8,007 | ||||
Non-controlling interests | 88 | 486 | 74 | |||
Total equity | 43,678 | 52,731 | 8,081 | |||
LIABILITIES | ||||||
Non-current liabilities | ||||||
Notes payable | - | 5,175 | 793 | |||
Accounts payable | - | 136 | 21 | |||
Other payables and other liabilities | 68 | 68 | 10 | |||
Deferred tax liabilities | 297 | 265 | 41 | |||
Lease liabilities | 78 | 218 | 33 | |||
Deferred revenue | 67 | 78 | 12 | |||
510 | 5,940 | 910 | ||||
Current liabilities | ||||||
Accounts payable | 2,559 | 3,565 | 546 | |||
Other payables and other liabilities | 3,782 | 3,881 | 595 | |||
Current tax liabilities | 386 | 445 | 68 | |||
Lease liabilities | 69 | 103 | 16 | |||
Deferred revenue | 1,694 | 1,608 | 246 | |||
8,490 | 9,602 | 1,472 | ||||
Total liabilities | 9,000 | 15,542 | 2,382 | |||
Total equity and liabilities | 52,678 | 68,273 | 10,463 |
TENCENT MUSIC ENTERTAINMENT GROUP | ||||||||||||
CONDENSED CONSOLIDATED STATEMENTS OF CASH FLOWS | ||||||||||||
Three Months Ended December 31, | Year Ended December 31, | |||||||||||
2019 | 2020 | 2019 | 2020 | |||||||||
RMB | RMB | US$ | RMB | RMB | US$ | |||||||
Unaudited | Unaudited | Unaudited | Audited | Unaudited | Unaudited | |||||||
(in millions) | (in millions) | |||||||||||
Net cash provided by operating activities | 2,033 | 1,864 | 286 | 6,200 | 4,885 | 749 | ||||||
Net cash used in investing activities | (6,572) | (143) | (22) | (8,102) | (14,206) | (2,177) | ||||||
Net cash (used in)/provided by financing activities | (73) | 19 | 3 | (31) | 5,292 | 811 | ||||||
Net (decrease)/increase in cash and cash equivalents | (4,612) | 1,740 | 267 | (1,933) | (4,029) | (617) | ||||||
Cash and cash equivalents at beginning of the period/year | 20,036 | 9,641 | 1,478 | 17,356 | 15,426 | 2,364 | ||||||
Exchange differences on cash and cash equivalents | 2 | (253) | (39) | 3 | (269) | (41) | ||||||
Cash and cash equivalents at end of the period/year | 15,426 | 11,128 | 1,705 | 15,426 | 11,128 | 1,705 |
View original content:http://www.prnewswire.com/news-releases/tencent-music-entertainment-group-announces-fourth-quarter-and-full-year-2020-unaudited-financial-results-301252954.html
SOURCE Tencent Music Entertainment Group
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