China Literature Announces 2023 Interim Results
Results Highlights (1)
- Total revenues were
RMB3,283.0 million (USD454.3 million ), compared withRMB4,087.2 million in the first half of 2022. - On a non-IFRS (2) basis, which is intended to reflect core earnings by excluding certain one-time and/or non-cash items:
- Operating profit was
RMB545.8 million (USD75.5 million ), compared withRMB693.8 million in the first half of 2022. Operating margin was16.6% , compared with17.0% in the first half of 2022. - Profit attributable to equity holders of the Company was
RMB603.1 million (USD83.5 million ), compared withRMB666.0 million in the first half of 2022. Its margin increased from16.3% to18.4% . - Basic earnings per share were
RMB0.60 . Diluted earnings per share wereRMB0.59 . - On an IFRS basis:
- Operating profit increased
23.8% year-over-year toRMB310.9 million (USD43.0 million ). Operating margin increased from6.1% to9.5% . - Profit attributable to equity holders of the Company increased
64.8% year-over-year toRMB376.7 million (USD52.1 million ). - Basic earnings per share were
RMB0.37 . Diluted earnings per share wereRMB0.37 .
1. Figures stated in USD are based on |
2. Non-IFRS adjustments exclude share-based compensation, M&A related impact such as net losses from investee companies and amortization of intangible assets, as well as related income tax effects. |
3. Certain figures included in this press release have been subject to rounding adjustments. Accordingly, figures shown as totals may not be an arithmetic aggregation of the figures shown in the breakdown items. |
Mr. Hou Xiaonan, Chief Executive Officer of China Literature, commented, "In the first half of 2023, China Literature continued to prioritize quality over quantity, focus on creating enduring and high-quality IP, and improve operational efficiency. We significantly expanded our selection of high-quality content, driven by our investment in premium content offerings, effective anti-piracy measures, and efforts to create a more vibrant user community. In the first half of this year, the number of popular titles, defined as titles that newly reached 10,000 average subscribers per chapter, increased more than
Throughout the period, we continued to strengthen our platform for IP incubation and monetization, which spans the entire IP life cycle and the entire value chain. More quality IPs emerged within our ecosystem, including drama series The Road to Ordinary (平凡之路) and In Spite of the Strong Wind (纵有疾风起), and animated sequels to our franchise IPs Stellar Transformations (星辰变) and Almighty Mage (全职法师).
Meanwhile, we recognize the enormous potential of leveraging generative AI for digital content production. To embrace this opportunity, we upgraded the Company's organizational structure and established four major business units to re-engineer our business processes. Our goal is to promote the synergy between content and platforms, increase the efficiency of IP creation and discovery, and improve our success rate at creating blockbuster IP. In July 2023, we released our 'Smart Pen' AI Large Language Model (LLM), the first LLM specifically for the online literature industry, and the new Smart Pen Edition of our Author Assistant Application, designed to support writers in various aspects of content creation, including creative assistance and data management. Introducing AI into our ecosystem, we believe, is the first step toward a symbiotic business-technology relationship that will gradually unleash value for our creators, users, and business partners, and eventually help to achieve our mission of creating good stories that will live forever."
Financial Review (3)
Revenues were
Revenues from online business were
Revenues from IP operations and others were
Cost of revenues decreased
Gross profit was
Interest income increased
Other gains, net were
Selling and marketing expenses decreased
General and administrative expenses decreased
Net provision for impairment losses on financial assets reflected a provision for doubtful receivables. In the first half of 2023, the provision for doubtful receivables was
Operating profit increased
Income tax expense was
Profit attributable to equity holders of the Company increased
Key Operating Information
- Average MAUs on our self-owned platform products and self-operated channels were 211.7 million, a decrease of
20.0% year-over-year from 264.7 million. A further breakdown of MAUs is as follows: i) MAUs on our self-owned platform products decreased12.0% year-over-year from 119.8 million to 105.4 million, mainly due to a decrease in marketing spending on user acquisition with low ROI as we maintain our focus on managing costs and improving operational efficiency, but the MAUs on our self-owned platform products increased5.2% sequentially compared with the second half of 2022, driven primarily by our effective anti-piracy measures and improved content operations; and ii) MAUs on our self-operated channels on Tencent products decreased26.6% year-over-year from 144.9 million to 106.3 million, primarily due to the optimization of our content offerings and distribution channels to improve operational efficiency. - Average MPUs on our self-owned platform products and self-operated channels increased
8.6% year-over-year from 8.1 million to 8.8 million in the first half of 2023, mainly due to our effective anti-piracy measures, improved product operations, and continued investment in high-quality content offerings. - Monthly ARPU for our pay-to-read business was
RMB33.3 in the first half of 2023, decreasing14.2% year-over-year fromRMB38.8 in the prior corresponding period, mainly due to i) changes in revenue mix from different product offerings, and ii) lower user spend from newly converted paying users at the initial stage of the payment cycle.
Other Key Information
- EBITDA was
RMB372.2 million (USD51.5 million ), compared withRMB600.6 million in the first half of 2022. Adjusted EBITDA wasRMB471.4 million (USD65.2 million ), compared withRMB745.1 million in the first half of 2022. - As of June 30, 2023, the Company's net cash position was
RMB7,541.6 million (USD1,043.7 million ). - Free cash flow* was
RMB475.7 million (USD65.8 million ), compared toRMB548.7 million in the first half of 2022. - New Classics Media, on a standalone basis, recorded
RMB543.6 million (USD75.2 million ) in revenues andRMB172.0 million (USD23.8 million ) in profit attributable to equity holders of the company in the first half of 2023.
* Free cash flow: operating cash flow deducts payments for lease liabilities and payments for capital expenditures.
Business Review and Outlook
1. Overview
Through the economic ups and downs of the past three years, China Literature has formulated and implemented innovative programs to defend its leadership in the turbulent market. Key observations from this experience include:
1) The paid reading sector remains a rich environment for incubating IP content. Improving the writer ecosystem and growing the online reading platform are key long-term tasks for us.
2) The Matthew Effect is more salient than ever in the IP and content domains. As "Blockbusters" play an increasingly crucial role in the gaming, animation, film and television industries, the demand for top-tier IP is growing rapidly.
3) The integrated development of IP is becoming increasingly important. By quickly and systematically developing audio, visual, and merchandise derivatives soon after the incubation of text-based IP, we will be able to shorten development cycles, reduce development costs, and increase our odds of creating blockbuster IPs. Moreover, the rapid advances in generative AI will create new opportunities to make this process even faster and more efficient.
Amidst these shifts in the market, we developed what we call an "IP metamorphosis" strategy, which lays out our development system for the entire IP lifecycle across various content formats. We have re-conceived the Company's vision and mission, which is to "create good stories that will live forever." In addition, we took initiatives to optimize costs, improve efficiency, and prioritize quality over quantity, as well as sharpened our focus on creating enduring and high-quality IP. Through all these upgrades, China Literature has continuously reached new milestones over the past three years, with the release of a series of blockbuster titles such as Joy of Life (庆余年), My Heroic Husband (赘婿) and A Lifelong Journey (人世间).
This year's critical breakthroughs in AI technology are a major turning point in our industry. We believe AI represents a once-in-a-generation opportunity, and opens up entirely new and exciting possibilities for China Literature.
Here are a few of our key takeaways on AI:
1) AI can super-charge content production, create multi-format user experiences and generally help us achieve the kind of integrated IP operations mentioned earlier. AI can facilitate the generation of content such as text, audio, comics, and animation, which can complement and be integrated with China Literature's existing user operation system, helping China Literature reach a broader audience in a wider variety of formats, with enhanced user stickiness.
2) AI can play an integral role in IP incubation. Its ability to quickly convert text into visuals will allow us to front-load IP development work, increasing our success rate at creating blockbuster IP.
3) AI can be a highly efficient means of translating online literature into multiple languages and therefore achieving IP globalization and creating significant additional value.
4) AI opens up a vast new imaginative space, and can be fully integrated into the IP ecosystem as a foundational capability that empowers upstream and downstream partners alike.
In short, AI, especially generative AI, will empower us to build a content platform across multiple genres and media formats, and to build a new integrated upstream and downstream IP ecosystem. This is a key part of China Literature's new medium to long-term business blueprint: using generative AI as a new engine to improve efficiency and quality in the IP ecosystem.
Recently, to better seize the once-in-a-generation opportunity brought by AI technology, strengthen the linkage between content and platforms, and continuously improve our success rate at creating film and television blockbusters, we have upgraded the Company's organizational structure and established four major business units, namely:
- The Content Ecosystem Platform Business Unit, which is mainly responsible for driving deep integration between original content creation and various platforms.
- The Film and TV Drama Business Unit, which is responsible for further integrating New Classics Media and China Literature to develop serialized IP dramas and films across various categories, and to create a steady stream of blockbusters.
- The Intelligence and Platform R&D Business Unit, which is responsible for driving breakthroughs in AI Large Language Model (LLM), and transforming them into cutting-edge generative AI applications.
- The Corporate Development Business Unit, which will oversee decision-making processes related to our core business and coordinate integrated IP development and operations.
We believe this new organizational structure will empower China Literature to leverage generative AI to re-shape our products and business processes. By improving IP mining and production efficiency, shortening IP development cycles, and improving our success rate at creating blockbuster IP, we will ultimately help the entire industry chain benefit from this historic wave of innovation.
In this July, we released our "Smart Pen" AI Large Language Model (LLM), the first LLM designed specifically for the online literature industry. We also launched the new Smart Pen Edition of our Author Assistant Application, which is based on our proprietary LLM and will support writers in various aspects of content creation. This is merely our first step in embracing generative AI. We will continue to upgrade our LLM, leveraging AI technology to empower content creation and the IP ecosystem.
We believe that China Literature's embrace of AI innovation will have far-reaching effects well beyond our more conventional past corporate upgrades. However, it will require a period of investment for these innovations to gradually permeate every aspect of our business operations, before we reach a turning point and transform our business development momentum into quantifiable financial returns. We are creating a brand new China Literature to seize this once-in-a-generation opportunity, and we are confident in our long-term prospects.
2. First Half 2023 Business Highlights
IP Creation
We continued to strengthen the content ecosystem of our online reading business. In the first half of this year, our online reading platform added approximately 200,000 writers, 350,000 literary works and over 19.5 billion Chinese characters. Our high-quality content grew significantly, as we focused on investing in premium content offerings, effective anti-piracy measures, and improved user community. For example, in the first half of this year, the number of online literary works that newly reached 10,000 average subscribers per chapter increased more than
IP Visualization
We continued to make advances in the visualization of our IP, presenting our users with a series of quality works during the first half of 2023.
- In the TV and film segment, we launched the TV series The Road to Ordinary (平凡之路) and In Spite of the Strong Wind (纵有疾风起), both of which were highly popular during their broadcast run. The Road to Ordinary (平凡之路) ranked first in the
Tencent Video drama hit list for 16 consecutive days, first in the China Audio Video Big Data prime-time TV drama ratings for 15 consecutive days, and first in the popularity lists of various third-party professional TV and movie data platforms, such as Maoyan, Dengta, and DataWin. In Spite of the Strong Wind (纵有疾风起) ranked in the top two for local TV prime-time drama series ratings nationwide during its broadcast run on Beijing TV and Jiangsu TV. - In the animation segment, we released new seasons in the first half of the year for our classic IP franchises Stellar Transformations (星辰变) and Almighty Mage (全职法师), both of which continued to prove popular with viewers. In July 2023, following the end of the first 52-week season of Battle Through the Heavens (斗破苍穹), we immediately launched a second 52-week season of the series, maintaining the title as one of the top three most popular animation series on
Tencent Video through continuous content updates. - In the comics segment, while increasing the number of comics adapted from our online literature works, we are focusing on enhancing our high-quality content offerings. Among which, works such as Dafeng Guardian (大奉打更人), Since the Red Moon Appeared (从红月开始), and Astral Pet Store (超神宠兽店) attained significant popularity.
IP Commercialization and Monetization
- In the IP merchandise segment, in the first half of the year, we analyzed our IPs with respect to their genres, user demographics and synergies among various media formats such as novels, animation, comics and merchandise, in order to improve our decision-making mechanism for IP screening and merchandise category selection. We are also exploring the possibility of front-loading the development of IP merchandise, that is initiating the development of merchandise at an early stage of online novel creation so that the IP content is better received and recognized by users. We launched a number of key products during the first half of 2023, such as our self-developed blind boxes for Lord of the Mysteries (诡秘之主) and Battle Through the Heavens (斗破苍穹).
- In the game segment, we continue to promote the adaptation of our quality IP into games through two business models: licensing and in-house game operation. In terms of licensing, we have been cooperating with high-quality studios to adapt our IP content into games, of which A Record of a Mortal's Journey to Immortality (凡人修仙传) and Swallowed Star (吞噬星空) were successfully launched during the first half of this year. In addition, we licensed popular IPs such as Battle Through the Heavens (斗破苍穹) and Stellar Transformations (星辰变) to game developers for adaptation, and we look forward to the release of these adapted games in the next few years. In terms of in-house game operation, we launched expansion packs for our classic IP game New Soul Land (新斗罗大陆), with new gameplays and upgraded artwork, successfully prolonging the lifecycle of the game.
Overseas Business
As of June 30, 2023, WebNovel, our foreign language online reading platform, offered approximately 3,200 works translated from Chinese and approximately 560,000 original works created locally. We will continue to explore international markets and promote cultural exchange.
About China Literature Limited
China Literature is dedicated to building a deep and immersive intellectual property ("IP") universe for the Mandarin-speaking world. It incubates original IPs from its online literature platform, which are subsequently adapted on a range of digital entertainment mediums, including comics, animation, film, TV series, web series and games. The virtual world created by these digital offerings become an inseparable part of a user's daily life. China Literature creates and promotes IPs mainly through Qidian Reading and QQ Reading, its leading online literature platforms, as well as New Classics Media, a renowned film and TV drama series production house in
Contact
For investors / analysts:
Maggie Zhou
Tel: +8621 6187 0500 ext. 80605
Email: IR@yuewen.com
For media:
Vivian Wang
Tel: +852 2232 3978
Email: vivian.wang@christensencomms.com
Non-IFRS Financial Measures
To supplement the consolidated financial statements of the Company prepared in accordance with IFRS, certain non-IFRS financial measures, namely non-IFRS operating profit, non-IFRS operating margin, non-IFRS profit for the period, non-IFRS net margin, non-IFRS profit attributable to equity holders of the Company, non-IFRS basic EPS and non-IFRS diluted EPS as additional financial measures, have been presented in this press release for the convenience of readers. These unaudited non-IFRS financial measures should be considered in addition to, and not as a substitute for, measures of the Company's financial performance prepared in accordance with IFRS. These non-IFRS financial measures may be defined differently from similar terms used by other companies. In addition, non-IFRS adjustments include relevant non-IFRS adjustments for the Company's material associates based on available published financials of the relevant material associates, or estimates made by the Company's management based on available information, certain expectations, assumptions and premises.
Our management believes that the presentation of these non-IFRS financial measures, when shown in conjunction with the corresponding IFRS measures, provides useful information to investors and management regarding the financial and business trends relating to the Company's financial condition and results of operations. Our management also believes that the non-IFRS financial measures are useful in evaluating the Company's operating performances. From time to time, there may be other items that the Company may include or exclude in reviewing its financial results.
Forward-Looking Statements
This press release contains forward-looking statements relating to the industry and business outlook, forecast business plans and growth strategies of the Company. These forward-looking statements are based on information currently available to the Company and are stated herein on the basis of the outlook at the time of this press release. They are based on certain expectations, assumptions and premises, some of which are subjective or beyond our control. These forward-looking statements may prove to be incorrect and may not be realized in future. Underlying the forward-looking statements is a large number of risks and uncertainties. Further information regarding these risks and uncertainties is included in our other public disclosure documents on our corporate website.
CHINA LITERATURE | ||||
CONSOLIDATED INCOME STATEMENT | ||||
Six months ended June 30, | ||||
2023 | 2022 | |||
(RMB in million, unless specified) | ||||
Revenues | ||||
Online business(1) | 2,038.7 | 2,307.0 | ||
Intellectual property operations and others(2) | 1,244.3 | 1,780.2 | ||
3,283.0 | 4,087.2 | |||
Cost of revenues | (1,678.3) | (1,940.9) | ||
Gross profit | 1,604.8 | 2,146.3 | ||
Gross margin | 48.9 % | 52.5 % | ||
Interest income | 80.1 | 68.9 | ||
Other gains/(losses), net | 5.8 | (235.4) | ||
Selling and marketing expenses | (822.1) | (1,110.5) | ||
General and administrative expenses | (534.5) | (557.5) | ||
Net provision for impairment losses on financial assets | (23.1) | (60.5) | ||
Operating profit | 310.9 | 251.2 | ||
Operating margin | 9.5 % | 6.1 % | ||
Finance costs, net | (2.8) | (31.6) | ||
Share of net profit of associates and joint ventures | 117.5 | 120.8 | ||
Profit before income tax | 425.6 | 340.4 | ||
Income tax expense | (49.6) | (108.2) | ||
Profit for the period | 376.0 | 232.3 | ||
Net margin | 11.5 % | 5.7 % | ||
Profit attributable to: | ||||
Equity holders of the Company | 376.7 | 228.5 | ||
Non-controlling interests | (0.7) | 3.7 | ||
376.0 | 232.3 | |||
Earnings per share | ||||
(in RMB per share) | ||||
- Basic earnings per share | 0.37 | 0.23 | ||
- Diluted earnings per share | 0.37 | 0.22 | ||
Notes: |
(1) Revenues from online business primarily reflect revenues from online paid reading, online advertising and distribution of third-party online games on our platform. |
(2) Revenues from intellectual property operations and others primarily reflect revenues from production and distribution of TV, web and animated series, films, licensing of copyrights, operation of self-operated online games, and sales of physical books. |
CHINA LITERATURE | ||||
CONSOLIDATED STATEMENT OF COMPREHENSIVE INCOME | ||||
Six months ended June 30, | ||||
2023 | 2022 | |||
(RMB in million) | ||||
Profit for the period | 376.0 | 232.3 | ||
Other comprehensive income: | ||||
Item that may be subsequently reclassified to profit or loss | ||||
Share of other comprehensive loss of associates | (4.9) | (0.5) | ||
Currency translation differences | (48.5) | 46.1 | ||
Item that may not be reclassified to profit or loss | ||||
Net loss from change in fair value of financial asset at | (4.1) | (6.6) | ||
Share of other comprehensive income of an associate | 3.1 | - | ||
Currency translation differences | 125.6 | 71.8 | ||
71.3 | 110.9 | |||
Total comprehensive income for the period | 447.2 | 343.1 | ||
Total comprehensive income attributable to: | ||||
Equity holders of the Company | 447.9 | 339.4 | ||
Non-controlling interests | (0.7) | 3.7 | ||
447.2 | 343.1 |
CHINA LITERATURE | ||||
SEGMENT INFORMATION | ||||
Six months ended June 30, | ||||
2023 | 2022 | |||
(RMB in million, except percentages) | ||||
Revenues | ||||
Online business | 2,038.7 | 2,307.0 | ||
Intellectual property operations and others | 1,244.3 | 1,780.2 | ||
Total revenues | 3,283.0 | 4,087.2 | ||
Cost of revenues | ||||
Online business | (1,018.7) | (1,146.7) | ||
Intellectual property operations and others | (659.5) | (794.1) | ||
Total cost of revenues | (1,678.3) | (1,940.9) | ||
Gross profit | ||||
Online business | 1,020.0 | 1,160.3 | ||
Intellectual property operations and others | 584.7 | 986.1 | ||
Total gross profit | 1,604.8 | 2,146.3 | ||
Gross margin | ||||
Online business | 50.0 % | 50.3 % | ||
Intellectual property operations and others | 47.0 % | 55.4 % | ||
Total gross margin | 48.9 % | 52.5 % |
CHINA LITERATURE | ||||
CONSOLIDATED STATEMENT OF FINANCIAL POSITION | ||||
As of | ||||
June 30, 2023 | December 31, 2022 | |||
(RMB in million) | ||||
ASSETS | ||||
Non-current assets | ||||
Property, plant and equipment | 121.5 | 132.9 | ||
Right-of-use assets | 225.7 | 183.1 | ||
Intangible assets | 7,413.2 | 7,421.6 | ||
Investments in associates and joint ventures | 1,112.9 | 1,008.8 | ||
Financial assets at fair value through profit or loss | 799.4 | 862.2 | ||
Financial asset at fair value through other |
5.2 |
8.0 | ||
Deferred income tax assets | 342.9 | 312.3 | ||
Prepayments, deposits and other assets | 284.3 | 329.6 | ||
Term deposits | 485.0 | - | ||
10,790.1 | 10,258.6 | |||
Current assets | ||||
Inventories | 752.4 | 760.3 | ||
Television series and film rights | 850.3 | 940.4 | ||
Financial assets at fair value through profit or loss | 2,787.3 | 119.3 | ||
Trade and notes receivables | 1,820.8 | 2,048.9 | ||
Prepayments, deposits and other assets | 1,099.3 | 1,212.5 | ||
Term deposits | 913.9 | 1,848.7 | ||
Cash and cash equivalents | 3,359.9 | 5,545.8 | ||
11,583.9 | 12,475.9 | |||
Total assets | 22,374.1 | 22,734.5 | ||
EQUITY | ||||
Capital and reserves attributable to the equity holders | ||||
Share capital | 0.6 | 0.6 | ||
Shares held for RSU scheme | (18.8) | (18.8) | ||
Share premium | 16,310.6 | 16,223.3 | ||
Other reserves | 2,097.2 | 1,955.1 | ||
Retained earnings/(accumulated losses) | 173.7 | (202.9) | ||
18,563.5 | 17,957.3 | |||
Non-controlling interests | 0.1 | (2.6) | ||
Total equity | 18,563.6 | 17,954.7 |
As of | ||||
June 30, 2023 | December 31, 2022 | |||
(RMB in million) | ||||
LIABILITIES | ||||
Non-current liabilities | ||||
Lease liabilities | 178.9 | 134.6 | ||
Long-term payables | 2.9 | 4.7 | ||
Deferred income tax liabilities | 137.3 | 139.6 | ||
Deferred revenue | 25.4 | 26.5 | ||
Financial liabilities at fair value through profit or loss | 262.5 | 490.6 | ||
606.9 | 796.0 | |||
Current liabilities | ||||
Borrowings | - | 417.9 | ||
Lease liabilities | 61.7 | 65.5 | ||
Trade payables | 1,032.4 | 1,203.9 | ||
Other payables and accruals | 812.0 | 1,019.4 | ||
Deferred revenue | 698.4 | 619.1 | ||
Current income tax liabilities | 228.3 | 275.8 | ||
Financial liabilities at fair value through profit or loss | 370.7 | 382.2 | ||
3,203.6 | 3,983.8 | |||
Total liabilities | 3,810.5 | 4,779.8 | ||
Total equity and liabilities | 22,374.1 | 22,734.5 |
CHINA LITERATURE RECONCILIATION OF OPERATING PROFIT TO EBITDA AND ADJUSTED EBITDA | |||
Six months ended June 30, | |||
2023 | 2022 | ||
(RMB in million) | |||
Reconciliation of operating profit to EBITDA and | |||
Operating profit | 310.9 | 251.2 | |
Adjustments: | |||
Interest income | (80.1) | (68.9) | |
Other (gains)/losses, net | (5.8) | 235.4 | |
Depreciation of property, plant and equipment | 17.0 | 9.6 | |
Depreciation of right-of-use assets | 38.4 | 49.9 | |
Amortization of intangible assets | 91.8 | 123.3 | |
EBITDA | 372.2 | 600.6 | |
Adjustments: | |||
Share-based compensation | 70.9 | 116.7 | |
Expenditure related to acquisition | 28.2 | 27.8 | |
Adjusted EBITDA | 471.4 | 745.1 |
CHINA LITERATURE RECONCILIATIONS OF IFRS TO NON-IFRS RESULTS | |||||||
Six months ended June 30, 2023 | |||||||
Adjustments | |||||||
As | Share-based | Net losses from investments | Amortization of | Tax effects | Non-IFRS | ||
(RMB in million, unless specified) | |||||||
Operating profit | 310.9 | 70.9 | 153.9 | 10.1 | - | 545.8 | |
Profit for the period | 376.0 | 70.9 | 147.2 | 10.1 | (1.8) | 602.4 | |
Profit attributable to equity | 376.7 | 70.9 | 147.2 | 10.1 | (1.8) | 603.1 | |
EPS (RMB per share) | |||||||
- basic | 0.37 | 0.60 | |||||
- diluted | 0.37 | 0.59 | |||||
Operating margin | 9.5 % | 16.6 % | |||||
Net margin | 11.5 % | 18.3 % | |||||
Six months ended June 30, 2022 | |||||||
Adjustments | |||||||
As | Share-based | Net losses from investments | Amortization of | Tax effects | Non-IFRS | ||
(RMB in million, unless specified) | |||||||
Operating profit | 251.2 | 116.7 | 305.9 | 20.1 | - | 693.8 | |
Profit for the period | 232.3 | 116.7 | 305.9 | 20.1 | (5.2) | 669.7 | |
Profit attributable to equity | 228.5 | 116.7 | 305.9 | 20.1 | (5.2) | 666.0 | |
EPS (RMB per share) | |||||||
- basic | 0.23 | 0.66 | |||||
- diluted | 0.22 | 0.65 | |||||
Operating margin | 6.1 % | 17.0 % | |||||
Net margin | 5.7 % | 16.4 % | |||||
Notes: |
(1) This item mainly includes the disposal (gain)/loss, impairment provision and the fair value changes arising from our investee companies, the fair value changes of consideration liabilities related to the acquisition of NCM, and the compensation costs for certain employees and former owners of NCM. |
(2) Represents amortization of intangible assets and TV series and film rights resulting from acquisitions. |
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SOURCE China Literature