Warner Music Group Corp. Reports Results for Fiscal First Quarter Ended December 31, 2024
Warner Music Group (WMG) reported its Q1 FY2025 financial results, showing mixed performance. Total revenue decreased 5% to $1.666 billion, while net income increased 25% to $241 million. Operating income declined 40% to $214 million, and Adjusted OIBDA decreased 20% to $363 million.
The company's Recorded Music segment saw a 7% revenue decline to $1.345 billion, while Music Publishing revenue grew 6% to $323 million. Digital revenue decreased 2%, with streaming revenue down 1.9%. Operating cash flow showed positive growth of 13% to $332 million.
WMG announced a new multi-year agreement with Spotify covering both recorded music and music publishing, and acquired a controlling stake in Tempo Music Investments. The company reaffirmed its full-year Recorded Music subscription streaming revenue and operating cash flow conversion guidance.
Warner Music Group (WMG) ha riportato i risultati finanziari del Q1 FY2025, mostrando performance miste. I ricavi totali sono diminuiti del 5% a 1,666 miliardi di dollari, mentre l'utile netto è aumentato del 25% a 241 milioni di dollari. L'utile operativo è calato del 40% a 214 milioni di dollari, e l'OIBDA rettificato è diminuito del 20% a 363 milioni di dollari.
Il segmento Musica Registrata dell'azienda ha registrato una diminuzione dei ricavi del 7% a 1,345 miliardi di dollari, mentre i ricavi del Music Publishing sono aumentati del 6% a 323 milioni di dollari. I ricavi digitali sono diminuiti del 2%, con i ricavi dallo streaming in calo dell'1,9%. Il flusso di cassa operativo ha mostrato una crescita positiva del 13% a 332 milioni di dollari.
WMG ha annunciato un nuovo accordo pluriennale con Spotify che copre sia la musica registrata sia il music publishing, e ha acquisito una partecipazione di controllo in Tempo Music Investments. L'azienda ha ribadito le previsioni sui ricavi da streaming in abbonamento della Musica Registrata e sulla conversione del flusso di cassa operativo per l'intero anno.
Warner Music Group (WMG) reportó sus resultados financieros del primer trimestre del año fiscal 2025, mostrando un desempeño mixto. Los ingresos totales disminuyeron un 5% a 1.666 millones de dólares, mientras que el ingreso neto aumentó un 25% a 241 millones de dólares. El ingreso operativo cayó un 40% a 214 millones de dólares, y el OIBDA ajustado disminuyó un 20% a 363 millones de dólares.
El segmento de Música Grabada de la compañía vio una disminución de ingresos del 7% a 1.345 millones de dólares, mientras que los ingresos de Publicación Musical crecieron un 6% a 323 millones de dólares. Los ingresos digitales disminuyeron un 2%, con los ingresos por streaming bajando un 1.9%. El flujo de efectivo operativo mostró un crecimiento positivo del 13% a 332 millones de dólares.
WMG anunció un nuevo acuerdo de varios años con Spotify que abarca tanto música grabada como publicación musical, y adquirió una participación mayoritaria en Tempo Music Investments. La empresa reafirmó sus proyecciones de ingresos por streaming de suscripción de Música Grabada y la conversión de flujo de efectivo operativo para todo el año.
워너뮤직그룹(WMG)는 2025 회계연도 1분기 재무 실적을 보고하며 엇갈린 성과를 나타냈습니다. 총 수익은 5% 감소하여 16억 6,600만 달러에 달했으며, 순이익은 25% 증가하여 2억 4,100만 달러에 이르렀습니다. 운영 소득은 40% 감소하여 2억 1,400만 달러였으며, 조정된 OIBDA는 20% 감소하여 3억 6,300만 달러에 그쳤습니다.
회사의 레코딩 음악 부문은 7%의 수익 감소로 13억 4,500만 달러를 기록했으며, 음악 출판 수익은 6% 증가하여 3억 2,300만 달러에 도달했습니다. 디지털 수익은 2% 감소했고, 스트리밍 수익은 1.9% 하락했습니다. 운영 현금 흐름은 13%의 긍정적인 성장을 보여 3억 3,200만 달러에 이르렀습니다.
WMG는 레코딩 음악과 음악 출판을 포함한 스포티파이와의 장기 계약을 발표했으며, 템포 뮤직 인베스트먼트의 지배력 있는 지분을 인수했습니다. 회사는 연간 레코딩 음악 구독 스트리밍 수익 및 운영 현금 흐름 전환 지침을 재확인했습니다.
Warner Music Group (WMG) a publié ses résultats financiers pour le premier trimestre de l'exercice 2025, montrant des performances mitigées. Le chiffre d'affaires total a diminué de 5 % pour atteindre 1,666 milliard de dollars, tandis que le bénéfice net a augmenté de 25 % pour atteindre 241 millions de dollars. Le bénéfice d'exploitation a chuté de 40 % à 214 millions de dollars, et l'EBE ajusté a baissé de 20 % à 363 millions de dollars.
Le segment Musique Enregistrée de l'entreprise a connu une baisse de chiffre d'affaires de 7 % à 1,345 milliard de dollars, tandis que les revenus de Publication Musicale ont augmenté de 6 % à 323 millions de dollars. Les revenus numériques ont diminué de 2 %, avec des revenus de streaming en baisse de 1,9 %. Le flux de trésorerie d'exploitation a montré une croissance positive de 13 % à 332 millions de dollars.
WMG a annoncé un nouvel accord pluriannuel avec Spotify couvrant à la fois la musique enregistrée et la publication musicale, et a acquis une participation majoritaire dans Tempo Music Investments. L'entreprise a réaffirmé ses prévisions concernant les revenus de streaming par abonnement pour la musique enregistrée et la conversion du flux de trésorerie d'exploitation pour l'année entière.
Warner Music Group (WMG) hat seine Finanzberichte für das erste Quartal des Geschäftsjahres 2025 veröffentlicht, die ein gemischtes Ergebnis zeigen. Der Gesamtumsatz sank um 5% auf 1,666 Milliarden Dollar, während der Nettogewinn um 25% auf 241 Millionen Dollar stieg. Das Betriebsergebnis fiel um 40% auf 214 Millionen Dollar, und das bereinigte OIBDA verringerte sich um 20% auf 363 Millionen Dollar.
Der Recorded Music-Bereich des Unternehmens verzeichnete einen Umsatzrückgang von 7% auf 1,345 Milliarden Dollar, während die Musikverlag-Einnahmen um 6% auf 323 Millionen Dollar wuchsen. Die digitalen Einnahmen sanken um 2%, wobei die Streaming-Einnahmen um 1,9% zurückgingen. Der operative Cashflow zeigte ein positives Wachstum von 13% auf 332 Millionen Dollar.
WMG gab eine neue mehrjährige Vereinbarung mit Spotify bekannt, die sowohl die registrierte Musik als auch die Musikverlag umfasst und erwarb eine Kontrollbeteiligung an Tempo Music Investments. Das Unternehmen bekräftigte seine Prognosen für die jährlichen Einnahmen aus Abonnement-Streaming in der registrierten Musik und die Umwandlung des operativen Cashflows.
- Net income increased 25% to $241 million
- Operating cash flow grew 13% to $332 million
- Music Publishing revenue increased 6.3% to $323 million
- Free Cash Flow increased 12% to $296 million
- Total revenue decreased 5% to $1.666 billion
- Operating income declined 40% to $214 million
- Adjusted OIBDA decreased 20% to $363 million
- Recorded Music revenue declined 6.9% to $1.345 billion
- Digital revenue decreased 2%
Insights
Warner Music Group's Q1 FY2025 results reveal a more robust underlying performance than headline figures suggest. Excluding one-time items (Licensing Extension, BMG Termination, Digital License Renewal), core revenue actually grew
The streaming business shows encouraging trends beneath surface metrics. While Recorded Music streaming revenue declined
Two strategic developments warrant particular attention. The new Spotify agreement represents a significant evolution in streaming economics, introducing 'artist-centric' royalty models and expanding direct licensing in key markets. This could enhance per-stream revenue and improve artist compensation structures. The Tempo Music acquisition demonstrates smart capital allocation - acquiring high-margin catalog assets that become more valuable as rights revert, while maintaining operational efficiency through existing administration infrastructure.
Cash flow metrics are particularly encouraging: operating cash flow increased
The margin pressure (Adjusted OIBDA margin down 4.0 points to
Financial Highlights
- Warner Music Group and Spotify Today Announced New, Multi-Year Agreement, Covering Both Recorded Music and Music Publishing
- Music Publishing Delivers Continued Growth Led by Strength in Performance and Digital
- Operating Cash Flow Growth of
13% with Conversion of91% - Reaffirming Full-Year Recorded Music Subscription Streaming Revenue and Operating Cash Flow Conversion Guidance
- Tempo Music Investment Demonstrates Disciplined M&A Strategy Focused on Accretive Opportunities
For the three months ended December 31, 2024
- Total revenue decreased
5% , or4% in constant currency - Net income increased
25% to$241 million versus$193 million in the prior-year quarter - Operating income decreased
40% to$214 million versus$354 million in the prior-year quarter - Adjusted OIBDA decreased
20% to$363 million , versus$451 million in the prior-year quarter, or18% in constant currency - Cash provided by operating activities increased to
$332 million , versus$293 million in the prior-year quarter
NEW YORK, Feb. 06, 2025 (GLOBE NEWSWIRE) -- Warner Music Group Corp. today announced its first-quarter financial results for the period ended December 31, 2024.
Robert Kyncl, CEO of Warner Music Group said: “This quarter, we saw success with new stars, global superstars, longtime legends, and irreplaceable catalog. In our ongoing effort to both grow the pie and grow our share of the pie, we are increasing our A&R spend, acquiring valuable catalogs, and striking important agreements with streaming services. As we drive efficiencies, we will enhance our virtuous cycle of reinvestment, creating new opportunities for talent, long-term growth, and shareholder value.”
Bryan Castellani, CFO of Warner Music Group added: “While temporary macro conditions created some pressure this quarter, the engine of our business is strong. Our results were underpinned by the performance of our new releases and catalog, as well as healthy global subscriber trends. We are confident in our outlook, especially as our industry continues to evolve monetization models, which will help fuel our future growth.”
Total WMG
Total WMG Summary Results | ||||||||
(dollars in millions) | ||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | % Change | ||||||
(unaudited) | (unaudited) | |||||||
Revenue | $ | 1,666 | $ | 1,748 | -5 | % | ||
Recorded Music revenue | 1,345 | 1,445 | -7 | % | ||||
Music Publishing revenue | 323 | 304 | 6 | % | ||||
Operating income | 214 | 354 | -40 | % | ||||
Adjusted OIBDA(1) | 363 | 451 | -20 | % | ||||
Net income | 241 | 193 | 25 | % | ||||
Net cash provided by operating activities | 332 | 293 | 13 | % | ||||
Free Cash Flow | 296 | 264 | 12 | % | ||||
(1) See "Supplemental Disclosures Regarding Non-GAAP Financial Measures" at the end of this release for details regarding this measure. |
Revenue was down
Digital revenue decreased
Operating income decreased
Adjusted OIBDA decreased
Net income increased
Basic and Diluted earnings per share were
As of December 31, 2024, the Company reported a cash balance of
Cash provided by operating activities increased
Recorded Music
Recorded Music Summary Results | ||||||||
(dollars in millions) | ||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | % Change | ||||||
(unaudited) | (unaudited) | |||||||
Revenue | $ | 1,345 | $ | 1,445 | -7 | % | ||
Operating income | 238 | 374 | -36 | % | ||||
Adjusted OIBDA(1) | 323 | 412 | -22 | % | ||||
(1) See "Supplemental Disclosures Regarding Non-GAAP Financial Measures" at the end of this release for details regarding this measure. |
Recorded Music Revenue | ||||||||
(dollars in millions) | ||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | For the Three Months Ended December 31, 2023 | ||||||
As reported | As reported | Constant | ||||||
(unaudited) | (unaudited) | (unaudited) | ||||||
Digital | $ | 873 | $ | 908 | $ | 895 | ||
Physical | 166 | 154 | 153 | |||||
Total Digital and Physical | 1,039 | 1,062 | 1,048 | |||||
Artist services and expanded-rights | 196 | 204 | 202 | |||||
Licensing | 110 | 179 | 179 | |||||
Total Recorded Music | $ | 1,345 | $ | 1,445 | $ | 1,429 | ||
Recorded Music revenue was down
Recorded Music operating income decreased
Adjusted OIBDA decreased
Music Publishing
Music Publishing Summary Results | ||||||||
(dollars in millions) | ||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | % Change | ||||||
(unaudited) | (unaudited) | |||||||
Revenue | $ | 323 | $ | 304 | 6 | % | ||
Operating income | 55 | 63 | -13 | % | ||||
Adjusted OIBDA(1) | 83 | 86 | -3 | % | ||||
(1) See "Supplemental Disclosures Regarding Non-GAAP Financial Measures" at the end of this release for details regarding this measure. |
Music Publishing Revenue | ||||||||
(dollars in millions) | ||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | For the Three Months Ended December 31, 2023 | ||||||
As reported | As reported | Constant | ||||||
(unaudited) | (unaudited) | (unaudited) | ||||||
Performance | $ | 56 | $ | 51 | $ | 50 | ||
Digital | 207 | 196 | 195 | |||||
Mechanical | 14 | 15 | 15 | |||||
Synchronization | 39 | 39 | 39 | |||||
Other | 7 | 3 | 3 | |||||
Total Music Publishing | $ | 323 | $ | 304 | $ | 302 |
Music Publishing revenue increased
Music Publishing operating income decreased
Music Publishing Adjusted OIBDA decreased
Recent Announcements
The Company and Spotify today announced an agreement, covering recorded music and music publishing, to shape the future of audio-visual streaming and enhance the value of music. The new deal will help deliver new fan experiences, a deeper music and video catalog, further paid subscription tiers, and differentiated content bundles. The agreement also builds on the companies’ existing alignment around ‘artist centric’ royalty models that reward and protect the power of artists to attract and engage audiences. Importantly, the new publishing agreement introduces a direct licensing model with Warner Chappell Music in several additional countries including the U.S., reinforcing songwriters’ benefit in this evolving ecosystem.
Earlier today, the Company announced that it has acquired a controlling stake in Tempo Music Investments (“Tempo”), an investment platform for premium music rights, from Providence Equity Partners (“Providence”). Providence will remain a minority investor in Tempo and continue to work with the Company in an advisory capacity. Providing the Company with additional revenue at a high margin, this investment will also become more accretive over time, as rights revert to Tempo, and expand the scope of the Company’s administration and distribution.
Financial details for the quarter can be found in the Company’s current Quarterly Report on Form 10-Q for the period ended December 31, 2024, which will be filed this morning with the Securities and Exchange Commission.
This morning management will be hosting a conference call to discuss the results at 8:30 A.M. EST. The call will be webcast on www.wmg.com.
About Warner Music Group
With a legacy extending back over 200 years, Warner Music Group today is home to an unparalleled family of creative artists, songwriters, and companies that are moving culture across the globe. At the core of WMG’s Recorded Music division are four of the most iconic companies in history: Atlantic, Elektra, Parlophone and Warner Records. They are joined by renowned labels such as TenThousand Projects, 300 Entertainment, Asylum, Big Beat, Canvasback, East West, Erato, FFRR, Fueled by Ramen, Nonesuch, Reprise, Rhino, Roadrunner, Sire, Spinnin’ Records, Warner Classics and Warner Music Nashville. Warner Chappell Music - which traces its origins back to the founding of Chappell & Company in 1811 - is one of the world's leading music publishers, with a catalog of more than one million copyrights spanning every musical genre from the standards of the Great American Songbook to the biggest hits of the 21st century.
"Safe Harbor" Statement under Private Securities Litigation Reform Act of 1995
This communication includes forward-looking statements that reflect the current views of Warner Music Group about future events and financial performance. Words such as "estimates," "expects," "anticipates," "projects," "plans," "intends," "believes," "forecasts" and variations of such words or similar expressions that predict or indicate future events or trends, or that do not relate to historical matters, identify forward-looking statements. All forward-looking statements are made as of today, and we disclaim any duty to update such statements. Our expectations, beliefs and projections are expressed in good faith and we believe there is a reasonable basis for them. However, we cannot assure you that management's expectations, beliefs and projections will result or be achieved. Investors should not rely on forward-looking statements because they are subject to a variety of risks, uncertainties, and other factors that could cause actual results to differ materially from our expectations. Please refer to our Form 10-K, Form 10-Qs and our other filings with the U.S. Securities and Exchange Commission concerning factors that could cause actual results to differ materially from those described in our forward-looking statements.
We maintain an Internet site at www.wmg.com. We use our website as a channel of distribution for material company information. Financial and other material information regarding Warner Music Group is routinely posted on and accessible at http://investors.wmg.com. In addition, you may automatically receive email alerts and other information about Warner Music Group by enrolling your email address through the “email alerts” section at http://investors.wmg.com. Our website and the information posted on it or connected to it shall not be deemed to be incorporated by reference into this communication.
Figure 1. Warner Music Group Corp. - Condensed Consolidated Statements of Operations, Three Months Ended December 31, 2024 versus December 31, 2023 | ||||||||||
(dollars in millions) | ||||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | % Change | ||||||||
(unaudited) | (unaudited) | |||||||||
Revenue | $ | 1,666 | $ | 1,748 | -5 | % | ||||
Cost and expenses: | ||||||||||
Cost of revenue | (894 | ) | (880 | ) | 2 | % | ||||
Selling, general and administrative expenses | (474 | ) | (476 | ) | — | % | ||||
Restructuring and impairments | (27 | ) | — | — | % | |||||
Amortization expense | (57 | ) | (55 | ) | 4 | % | ||||
Total costs and expenses | $ | (1,452 | ) | $ | (1,411 | ) | 3 | % | ||
Net gain on divestiture | — | 17 | -100 | % | ||||||
Operating income | $ | 214 | $ | 354 | -40 | % | ||||
Interest expense, net | (37 | ) | (39 | ) | -5 | % | ||||
Other income (expense), net | 153 | (50 | ) | — | % | |||||
Income before income taxes | $ | 330 | $ | 265 | 25 | % | ||||
Income tax expense | (89 | ) | (72 | ) | 24 | % | ||||
Net income | $ | 241 | $ | 193 | 25 | % | ||||
Less: Income attributable to noncontrolling interest | (5 | ) | (34 | ) | -85 | % | ||||
Net income attributable to Warner Music Group Corp. | $ | 236 | $ | 159 | 48 | % | ||||
Net income per share attributable to common stockholders: | ||||||||||
Class A – Basic and Diluted | $ | 0.45 | $ | 0.30 | ||||||
Class B – Basic and Diluted | $ | 0.45 | $ | 0.30 | ||||||
Figure 2. Warner Music Group Corp. - Condensed Consolidated Balance Sheets at December 31, 2024 versus September 30, 2024 | ||||||||||
(dollars in millions) | ||||||||||
December 31, 2024 | September 30, 2024 | % Change | ||||||||
(unaudited) | ||||||||||
Assets | ||||||||||
Current assets: | ||||||||||
Cash and equivalents | $ | 802 | $ | 694 | 16 | % | ||||
Accounts receivable, net | 1,201 | 1,255 | -4 | % | ||||||
Inventories | 84 | 99 | -15 | % | ||||||
Royalty advances expected to be recouped within one year | 473 | 470 | 1 | % | ||||||
Prepaid and other current assets | 156 | 125 | 25 | % | ||||||
Total current assets | $ | 2,716 | $ | 2,643 | 3 | % | ||||
Royalty advances expected to be recouped after one year | 878 | 874 | — | % | ||||||
Property, plant and equipment, net | 491 | 481 | 2 | % | ||||||
Operating lease right-of-use assets, net | 221 | 225 | -2 | % | ||||||
Goodwill | 2,013 | 2,021 | — | % | ||||||
Intangible assets subject to amortization, net | 2,329 | 2,359 | -1 | % | ||||||
Intangible assets not subject to amortization | 149 | 152 | -2 | % | ||||||
Deferred tax assets, net | 40 | 52 | -23 | % | ||||||
Other assets | 309 | 348 | -11 | % | ||||||
Total assets | $ | 9,146 | $ | 9,155 | — | % | ||||
Liabilities and Equity | ||||||||||
Current liabilities: | ||||||||||
Accounts payable | $ | 189 | $ | 289 | -35 | % | ||||
Accrued royalties | 2,653 | 2,549 | 4 | % | ||||||
Accrued liabilities | 539 | 641 | -16 | % | ||||||
Accrued interest | 42 | 17 | — | % | ||||||
Operating lease liabilities, current | 47 | 45 | 4 | % | ||||||
Deferred revenue | 312 | 246 | 27 | % | ||||||
Other current liabilities | 141 | 110 | 28 | % | ||||||
Total current liabilities | $ | 3,923 | $ | 3,897 | 1 | % | ||||
Long-term debt | 3,955 | 4,014 | -1 | % | ||||||
Operating lease liabilities, noncurrent | 222 | 228 | -3 | % | ||||||
Deferred tax liabilities, net | 209 | 195 | 7 | % | ||||||
Other noncurrent liabilities | 140 | 146 | -4 | % | ||||||
Total liabilities | $ | 8,449 | $ | 8,480 | — | % | ||||
Equity: | ||||||||||
Class A common stock | $ | — | $ | — | — | % | ||||
Class B common stock | 1 | 1 | — | % | ||||||
Additional paid-in capital | 2,091 | 2,077 | 1 | % | ||||||
Accumulated deficit | (1,171 | ) | (1,313 | ) | -11 | % | ||||
Accumulated other comprehensive loss, net | (376 | ) | (247 | ) | 52 | % | ||||
Total Warner Music Group Corp. equity | $ | 545 | $ | 518 | 5 | % | ||||
Noncontrolling interest | 152 | 157 | -3 | % | ||||||
Total equity | 697 | 675 | 3 | % | ||||||
Total liabilities and equity | $ | 9,146 | $ | 9,155 | — | % |
Figure 3. Warner Music Group Corp. - Summarized Statements of Cash Flows, Three Months Ended December 31, 2024 versus December 31, 2023 | |||||||
(dollars in millions) | |||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | ||||||
(unaudited) | (unaudited) | ||||||
Net cash provided by operating activities | $ | 332 | $ | 293 | |||
Net cash used in investing activities | (81 | ) | (92 | ) | |||
Net cash used in financing activities | (127 | ) | (93 | ) | |||
Effect of foreign currency exchange rates on cash and equivalents | (16 | ) | 5 | ||||
Net increase in cash and equivalents | $ | 108 | $ | 113 | |||
Figure 4. Warner Music Group Corp. - Digital Revenue Summary, Three Months Ended December 31, 2024 versus December 31, 2023 | ||||||||
(dollars in millions) | ||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | % Change | ||||||
(unaudited) | (unaudited) | |||||||
Recorded Music | ||||||||
Subscription | $ | 631 | $ | 644 | -2 | % | ||
Ad-Supported | 223 | 243 | -8 | % | ||||
Streaming | $ | 854 | $ | 887 | -4 | % | ||
Downloads and Other Digital | 19 | 21 | -10 | % | ||||
Total Recorded Music Digital Revenue | $ | 873 | $ | 908 | -4 | % | ||
Music Publishing | ||||||||
Streaming | $ | 205 | $ | 193 | 6 | % | ||
Downloads and Other Digital | 2 | 3 | -33 | % | ||||
Total Music Publishing Digital Revenue | $ | 207 | $ | 196 | 6 | % | ||
Consolidated | ||||||||
Streaming | $ | 1,059 | $ | 1,080 | -2 | % | ||
Downloads and Other Digital | 21 | 24 | -13 | % | ||||
Intersegment Eliminations | 2 | — | — | % | ||||
Total Digital Revenue | $ | 1,082 | $ | 1,104 | -2 | % | ||
Supplemental Disclosures Regarding Non-GAAP Financial Measures
We evaluate our operating performance based on several factors, including the following non-GAAP financial measure:
Adjusted OIBDA
We evaluate our operating performance based on several factors, including our primary financial measure of operating income (loss) before non-cash depreciation of tangible assets and non-cash amortization of intangible assets adjusted to exclude the impact of non-cash stock-based compensation and other related expenses and certain items that affect comparability including but not limited to gains or losses on divestitures and expenses related to restructuring and transformation initiatives (“Adjusted OIBDA”). We consider Adjusted OIBDA to be an important indicator of the operational strengths and performance of our businesses. However, a limitation of the use of Adjusted OIBDA as a performance measure is that it does not reflect the periodic costs of certain capitalized tangible and intangible assets used in generating revenues in our businesses. Accordingly, Adjusted OIBDA should be considered in addition to, not as a substitute for, operating income (loss), net income (loss) attributable to Warner Music Group Corp. and other measures of financial performance reported in accordance with United States generally accepted accounting principles (“U.S. GAAP”). In addition, our definition of Adjusted OIBDA may differ from similarly titled measures used by other companies.
Figure 5. Warner Music Group Corp. - Reconciliation of Net Income to Adjusted OIBDA, Three Months Ended December 31, 2024 versus December 31, 2023 | ||||||||||
(dollars in millions) | ||||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | % Change | ||||||||
(unaudited) | (unaudited) | |||||||||
Net income attributable to Warner Music Group Corp. | $ | 236 | $ | 159 | 48 | % | ||||
Income attributable to noncontrolling interest | 5 | 34 | -85 | % | ||||||
Net income | $ | 241 | $ | 193 | 25 | % | ||||
Income tax expense | 89 | 72 | 24 | % | ||||||
Income including income taxes | $ | 330 | $ | 265 | 25 | % | ||||
Other (income) expense, net | (153 | ) | 50 | — | % | |||||
Interest expense, net | 37 | 39 | -5 | % | ||||||
Operating income | $ | 214 | $ | 354 | -40 | % | ||||
Amortization expense | 57 | 55 | 4 | % | ||||||
Depreciation expense | 29 | 26 | 12 | % | ||||||
Restructuring and impairments | 27 | — | — | % | ||||||
Transformation initiative costs | 17 | 19 | -11 | % | ||||||
Net gain on divestitures | — | (17 | ) | -100 | % | |||||
Non-cash stock-based compensation and other related costs | 19 | 14 | 36 | % | ||||||
Adjusted OIBDA | $ | 363 | $ | 451 | -20 | % | ||||
Operating income margin | 12.8 | % | 20.3 | % | ||||||
Adjusted OIBDA margin | 21.8 | % | 25.8 | % | ||||||
Figure 6. Warner Music Group Corp. - Reconciliation of Segment Operating Income to Adjusted OIBDA, Three Months Ended December 31, 2024 versus December 31, 2023 | ||||||||||
(dollars in millions) | ||||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | % Change | ||||||||
(unaudited) | (unaudited) | |||||||||
Total WMG operating income – GAAP | $ | 214 | $ | 354 | -40 | % | ||||
Depreciation and amortization expense | (86 | ) | (81 | ) | 6 | % | ||||
Total WMG OIBDA | $ | 300 | $ | 435 | -31 | % | ||||
Restructuring and impairments | 27 | — | — | % | ||||||
Transformation initiative costs | 17 | 19 | -11 | % | ||||||
Net gain on divestitures | — | (17 | ) | -100 | % | |||||
Non-cash stock-based compensation and other related costs | 19 | 14 | 36 | % | ||||||
Total WMG Adjusted OIBDA | $ | 363 | $ | 451 | -20 | % | ||||
Total WMG Adjusted OIBDA margin | 21.8 | % | 25.8 | % | ||||||
Recorded Music operating income – GAAP | $ | 238 | $ | 374 | -36 | % | ||||
Depreciation and amortization expense | (45 | ) | (47 | ) | -4 | % | ||||
Recorded Music OIBDA | $ | 283 | $ | 421 | -33 | % | ||||
Restructuring and impairments | 28 | — | — | % | ||||||
Net gain on divestitures | — | (17 | ) | -100 | % | |||||
Non-cash stock-based compensation and other related costs | $ | 12 | $ | 8 | 50 | % | ||||
Recorded Music Adjusted OIBDA | $ | 323 | $ | 412 | -22 | % | ||||
Recorded Music Adjusted OIBDA margin | 24.0 | % | 28.5 | % | ||||||
Music Publishing operating income – GAAP | $ | 55 | $ | 63 | -13 | % | ||||
Depreciation and amortization expense | (27 | ) | (22 | ) | 23 | % | ||||
Music Publishing OIBDA | $ | 82 | $ | 85 | -4 | % | ||||
Non-cash stock-based compensation and other related costs | 1 | 1 | — | % | ||||||
Music Publishing Adjusted OIBDA | $ | 83 | $ | 86 | -3 | % | ||||
Music Publishing Adjusted OIBDA margin | 25.7 | % | 28.3 | % | ||||||
Constant Currency
As exchange rates are an important factor in understanding period-to-period comparisons, we believe the presentation of revenue and Adjusted OIBDA on a constant-currency basis in addition to reported results helps improve the ability to understand our operating results and evaluate our performance in comparison to prior periods. Constant-currency information compares revenue and Adjusted OIBDA between periods as if exchange rates had remained constant period over period. We use revenue and Adjusted OIBDA on a constant-currency basis as one measure to evaluate our performance. We calculate constant-currency by calculating prior-year revenue and Adjusted OIBDA using current-year foreign currency exchange rates. Revenue and Adjusted OIBDA on a constant-currency basis should be considered in addition to, not as a substitute for, revenue and Adjusted OIBDA reported in accordance with U.S. GAAP. Revenue and Adjusted OIBDA on a constant-currency basis, as we present them, may not be comparable to similarly titled measures used by other companies and are not a measure of performance presented in accordance with U.S. GAAP.
Figure 7. Warner Music Group Corp. - Revenue by Geography and Segment, Three Months Ended December 31, 2024 versus December 31, 2023 As Reported and Constant Currency | ||||||||||||||
(dollars in millions) | ||||||||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | For the Three Months Ended December 31, 2023 | % Change | |||||||||||
As reported | As reported | Constant | Constant | |||||||||||
(unaudited) | (unaudited) | (unaudited) | (unaudited) | |||||||||||
U.S. revenue | ||||||||||||||
Recorded Music | $ | 532 | $ | 627 | $ | 627 | -15 | % | ||||||
Music Publishing | 173 | 172 | 172 | 1 | % | |||||||||
International revenue | ||||||||||||||
Recorded Music | $ | 813 | $ | 818 | $ | 802 | 1 | % | ||||||
Music Publishing | 150 | 132 | 130 | 15 | % | |||||||||
Intersegment eliminations | (2 | ) | (1 | ) | (2 | ) | — | % | ||||||
Total Revenue | $ | 1,666 | $ | 1,748 | $ | 1,729 | -4 | % | ||||||
Revenue by Segment: | ||||||||||||||
Recorded Music | ||||||||||||||
Digital | $ | 873 | $ | 908 | $ | 895 | -2 | % | ||||||
Physical | 166 | 154 | 153 | 8 | % | |||||||||
Total Digital and Physical | $ | 1,039 | $ | 1,062 | $ | 1,048 | -1 | % | ||||||
Artist services and expanded-rights | 196 | 204 | 202 | -3 | % | |||||||||
Licensing | 110 | 179 | 179 | -39 | % | |||||||||
Total Recorded Music | $ | 1,345 | $ | 1,445 | $ | 1,429 | -6 | % | ||||||
Music Publishing | ||||||||||||||
Performance | $ | 56 | $ | 51 | $ | 50 | 12 | % | ||||||
Digital | 207 | 196 | 195 | 6 | % | |||||||||
Mechanical | 14 | 15 | 15 | -7 | % | |||||||||
Synchronization | 39 | 39 | 39 | — | % | |||||||||
Other | 7 | 3 | 3 | 133 | % | |||||||||
Total Music Publishing | $ | 323 | $ | 304 | $ | 302 | 7 | % | ||||||
Intersegment eliminations | (2 | ) | (1 | ) | (2 | ) | — | % | ||||||
Total Revenue | $ | 1,666 | $ | 1,748 | $ | 1,729 | -4 | % | ||||||
Total Digital Revenue | $ | 1,082 | $ | 1,104 | $ | 1,090 | -1 | % | ||||||
Figure 8. Warner Music Group Corp. - Adjusted OIBDA by Segment, Three Months Ended December 31, 2024 versus December 31, 2023 As Reported and Constant Currency | ||||||||||||||
(dollars in millions) | ||||||||||||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | For the Three Months Ended December 31, 2023 | Change % | |||||||||||
As reported | As reported | Constant | Constant | |||||||||||
(unaudited) | (unaudited) | (unaudited) | (unaudited) | |||||||||||
Total WMG Adjusted OIBDA | $ | 363 | $ | 451 | $ | 445 | -18.4 | % | ||||||
Adjusted OIBDA margin | 21.8 | % | 25.8 | % | 25.7 | % | ||||||||
Recorded Music Adjusted OIBDA | $ | 323 | $ | 412 | $ | 407 | -20.6 | % | ||||||
Recorded Music Adjusted OIBDA margin | 24.0 | % | 28.5 | % | 28.5 | % | ||||||||
Music Publishing Adjusted OIBDA | $ | 83 | $ | 86 | $ | 85 | -2.4 | % | ||||||
Music Publishing Adjusted OIBDA margin | 25.7 | % | 28.3 | % | 28.1 | % | ||||||||
Figure 9. Warner Music Group Corp. - Notable Items, As Reported and Constant Currency | ||||||||||||||||||||||||
(dollars in millions) | ||||||||||||||||||||||||
Constant Currency | ||||||||||||||||||||||||
For the Three Months Ended December 31, 2022 | For the Three Months Ended March 31, 2023 | For the Three Months Ended June 30, 2023 | For the Three Months Ended September 30, 2023 | For the Fiscal Year Ended September 30, 2023 | For the Three Months Ended December 31, 2023 | |||||||||||||||||||
Revenue | ||||||||||||||||||||||||
Recorded Music Streaming - Digital License Renewal | $ | 3 | $ | 4 | $ | 3 | $ | 4 | $ | 14 | $ | 26 | ||||||||||||
Recorded Music Licensing - Licensing Extension | 7 | — | — | — | 7 | 75 | ||||||||||||||||||
Music Publishing Streaming - Copyright Royalty Board Benefit | — | — | 7 | 17 | 24 | — | ||||||||||||||||||
Adjusted OIBDA | ||||||||||||||||||||||||
Recorded Music - Digital License Renewal | $ | 2 | $ | 1 | $ | 2 | $ | 1 | $ | 6 | $ | 10 | ||||||||||||
Recorded Music - Licensing Extension | 7 | — | — | — | 7 | 74 | ||||||||||||||||||
Music Publishing - Copyright Royalty Board Benefit | — | — | 2 | 4 | 6 | — | ||||||||||||||||||
For the Three Months Ended December 31, 2023 | For the Three Months Ended March 31, 2024 | For the Three Months Ended June 30, 2024 | For the Three Months Ended September 30, 2024 | For the Fiscal Year Ended September 30, 2024 | For the Three Months Ended December 31, 2024 | |||||||||||||||||||
Revenue | ||||||||||||||||||||||||
Recorded Music Streaming - Digital License Renewal | $ | 26 | $ | — | $ | — | $ | — | $ | 26 | $ | — | ||||||||||||
Recorded Music Digital - BMG Termination (a) | (13 | ) | (22 | ) | (26 | ) | (25 | ) | (86 | ) | (16 | ) | ||||||||||||
Recorded Music Streaming - BMG Termination (a) | (12 | ) | (20 | ) | (25 | ) | (24 | ) | (81 | ) | (16 | ) | ||||||||||||
Recorded Music Download and Other Digital - BMG Termination (a) | (1 | ) | (2 | ) | (1 | ) | (1 | ) | (5 | ) | — | |||||||||||||
Recorded Music Physical - BMG Termination (a) | — | — | — | — | — | (16 | ) | |||||||||||||||||
Recorded Music Licensing - Licensing Extension | 75 | — | — | — | 75 | — | ||||||||||||||||||
Adjusted OIBDA | ||||||||||||||||||||||||
Recorded Music - Digital License Renewal | $ | 10 | $ | — | $ | — | $ | — | $ | 10 | $ | — | ||||||||||||
Recorded Music - BMG Termination (a) | — | (1 | ) | (1 | ) | (1 | ) | (3 | ) | (1 | ) | |||||||||||||
Recorded Music - Licensing Extension | 74 | — | — | — | 74 | — | ||||||||||||||||||
Year-over-Year Impact - Constant Currency | ||||||||||||||||||||||||
For the Three Months Ended December 31, 2023 | For the Three Months Ended March 31, 2024 | For the Three Months Ended June 30, 2024 | For the Three Months Ended September 30, 2024 | Fiscal Year 2024 change vs. Fiscal Year 2023 | For the Three Months Ended December 31, 2024 | |||||||||||||||||||
Revenue | ||||||||||||||||||||||||
Recorded Music Streaming - Digital License Renewal | $ | 23 | $ | (4 | ) | $ | (3 | ) | $ | (4 | ) | $ | 12 | $ | (26 | ) | ||||||||
Recorded Music Digital - BMG Termination (a) | (13 | ) | (22 | ) | (26 | ) | (25 | ) | (86 | ) | (16 | ) | ||||||||||||
Recorded Music Streaming - BMG Termination (a) | (12 | ) | (20 | ) | (25 | ) | (24 | ) | (81 | ) | (16 | ) | ||||||||||||
Recorded Music Download and Other Digital - BMG Termination (a) | (1 | ) | (2 | ) | (1 | ) | (1 | ) | (5 | ) | — | |||||||||||||
Recorded Music Physical - BMG Termination (a) | — | — | — | — | — | (16 | ) | |||||||||||||||||
Recorded Music Licensing - Licensing Extension | 68 | — | — | — | 68 | (75 | ) | |||||||||||||||||
Music Publishing Streaming - Copyright Royalty Board Benefit | — | — | (7 | ) | (17 | ) | (24 | ) | — | |||||||||||||||
Adjusted OIBDA | ||||||||||||||||||||||||
Recorded Music - Digital License Renewal | $ | 8 | $ | (1 | ) | $ | (2 | ) | $ | (1 | ) | $ | 4 | $ | (10 | ) | ||||||||
Recorded Music - BMG Termination (a) | — | (1 | ) | (1 | ) | (1 | ) | (3 | ) | (1 | ) | |||||||||||||
Recorded Music - Licensing Extension | 67 | — | — | — | 67 | (74 | ) | |||||||||||||||||
Music Publishing - Copyright Royalty Board Benefit | — | — | (2 | ) | (4 | ) | (6 | ) | — | |||||||||||||||
As Reported | ||||||||||||||||||||||||
For the Three Months Ended December 31, 2022 | For the Three Months Ended March 31, 2023 | For the Three Months Ended June 30, 2023 | For the Three Months Ended September 30, 2023 | For the Fiscal Year Ended September 30, 2023 | For the Three Months Ended December 31, 2023 | |||||||||||||||||||
Revenue | ||||||||||||||||||||||||
Recorded Music Streaming - Digital License Renewal | $ | 3 | $ | 4 | $ | 3 | $ | 4 | $ | 14 | $ | 30 | ||||||||||||
Recorded Music Licensing - Licensing Extension | 7 | — | — | — | 7 | 75 | ||||||||||||||||||
Music Publishing Streaming - Copyright Royalty Board Benefit | — | — | 7 | 17 | 24 | — | ||||||||||||||||||
Adjusted OIBDA | ||||||||||||||||||||||||
Recorded Music - Digital License Renewal | $ | 2 | $ | 1 | $ | 2 | $ | 1 | $ | 6 | $ | 12 | ||||||||||||
Recorded Music - Licensing Extension | 7 | — | — | — | 7 | 74 | ||||||||||||||||||
Music Publishing - Copyright Royalty Board Benefit | — | — | 2 | 4 | 6 | — | ||||||||||||||||||
For the Three Months Ended December 31, 2023 | For the Three Months Ended March 31, 2024 | For the Three Months Ended June 30, 2024 | For the Three Months Ended September 30, 2024 | For the Fiscal Year Ended September 30, 2024 | For the Three Months Ended December 31, 2024 | |||||||||||||||||||
Revenue | ||||||||||||||||||||||||
Recorded Music Streaming - Digital License Renewal | $ | 30 | $ | — | $ | — | $ | — | $ | 30 | $ | — | ||||||||||||
Recorded Music Digital - BMG Termination (a) | (13 | ) | (22 | ) | (26 | ) | (25 | ) | (86 | ) | (16 | ) | ||||||||||||
Recorded Music Streaming - BMG Termination (a) | (12 | ) | (20 | ) | (25 | ) | (24 | ) | (81 | ) | (16 | ) | ||||||||||||
Recorded Music Download and Other Digital - BMG Termination (a) | (1 | ) | (2 | ) | (1 | ) | (1 | ) | (5 | ) | — | |||||||||||||
Recorded Music Physical - BMG Termination (a) | — | — | — | — | — | (16 | ) | |||||||||||||||||
Recorded Music Licensing - Licensing Extension | 75 | — | — | — | 75 | — | ||||||||||||||||||
Adjusted OIBDA | ||||||||||||||||||||||||
Recorded Music - Digital License Renewal | $ | 12 | $ | — | $ | — | $ | — | $ | 12 | $ | — | ||||||||||||
Recorded Music - BMG Termination (a) | — | (1 | ) | (1 | ) | (1 | ) | (3 | ) | (1 | ) | |||||||||||||
Recorded Music - Licensing Extension | 74 | — | — | — | 74 | — | ||||||||||||||||||
Year-over-Year Impact - As Reported | ||||||||||||||||||||||||
For the Three Months Ended December 31, 2023 | For the Three Months Ended March 31, 2024 | For the Three Months Ended June 30, 2024 | For the Three Months Ended September 30, 2024 | Fiscal Year 2024 change vs. Fiscal Year 2023 | For the Three Months Ended December 31, 2024 | |||||||||||||||||||
Revenue | ||||||||||||||||||||||||
Recorded Music Streaming - Digital License Renewal | $ | 27 | $ | (4 | ) | $ | (3 | ) | $ | (4 | ) | $ | 16 | $ | (30 | ) | ||||||||
Recorded Music Digital - BMG Termination (a) | (13 | ) | (22 | ) | (26 | ) | (25 | ) | (86 | ) | (16 | ) | ||||||||||||
Recorded Music Streaming - BMG Termination (a) | (12 | ) | (20 | ) | (25 | ) | (24 | ) | (81 | ) | (16 | ) | ||||||||||||
Recorded Music Download and Other Digital - BMG Termination (a) | (1 | ) | (2 | ) | (1 | ) | (1 | ) | (5 | ) | — | |||||||||||||
Recorded Music Physical - BMG Termination (a) | — | — | — | — | — | (16 | ) | |||||||||||||||||
Recorded Music Licensing - Licensing Extension | 68 | — | — | — | 68 | (75 | ) | |||||||||||||||||
Music Publishing Streaming - Copyright Royalty Board Benefit | — | — | (7 | ) | (17 | ) | (24 | ) | — | |||||||||||||||
Adjusted OIBDA | ||||||||||||||||||||||||
Recorded Music - Digital License Renewal | $ | 10 | $ | (1 | ) | $ | (2 | ) | $ | (1 | ) | $ | 6 | $ | (12 | ) | ||||||||
Recorded Music - BMG Termination (a) | — | (1 | ) | (1 | ) | (1 | ) | (3 | ) | (1 | ) | |||||||||||||
Recorded Music - Licensing Extension | 67 | — | — | — | 67 | (74 | ) | |||||||||||||||||
Music Publishing - Copyright Royalty Board Benefit | — | — | (2 | ) | (4 | ) | (6 | ) | — | |||||||||||||||
(a) The BMG Termination impact presented above represents the reduction in Revenue and Adjusted OIBDA compared to the prior year. | ||||||||||||||||||||||||
Free Cash Flow
Our definition of Free Cash Flow is defined as cash flow provided by operating activities less capital expenditures. We use Free Cash Flow, among other measures, to evaluate our operating performance. Management believes Free Cash Flow provides investors with an important perspective on the cash available to fund our debt service requirements, ongoing working capital requirements, capital expenditure requirements, strategic acquisitions and investments, and any dividends, prepayments of debt or repurchases or retirement of our outstanding debt or notes in open market purchases, privately negotiated purchases, any repurchases of our common stock or otherwise. As a result, Free Cash Flow is a significant measure of our ability to generate long-term value. It is useful for investors to know whether this ability is being enhanced or degraded as a result of our operating performance. We believe the presentation of Free Cash Flow is relevant and useful for investors because it allows investors to view performance in a manner similar to the method management uses.
Free Cash Flow is not a measure of performance calculated in accordance with U.S. GAAP and therefore it should not be considered in isolation of, or as a substitute for, net income (loss) as an indicator of operating performance or cash flow provided by operating activities as a measure of liquidity. Free Cash Flow, as we calculate it, may not be comparable to similarly titled measures employed by other companies. In addition, Free Cash Flow does not necessarily represent funds available for discretionary use and is not necessarily a measure of our ability to fund our cash needs. Because Free Cash Flow deducts capital expenditures from “net cash provided by operating activities” (the most directly comparable U.S. GAAP financial measure), users of this information should consider the types of events and transactions that are not reflected. We provide below a reconciliation of Free Cash Flow to the most directly comparable amount reported under U.S. GAAP, which is “net cash provided by operating activities.”
Figure 10. Warner Music Group Corp. - Calculation of Free Cash Flow, Three Months Ended December 31, 2024 versus December 31, 2023 | |||||
(dollars in millions) | |||||
For the Three Months Ended December 31, 2024 | For the Three Months Ended December 31, 2023 | ||||
(unaudited) | (unaudited) | ||||
Net cash provided by operating activities | $ | 332 | $ | 293 | |
Less: Capital expenditures | 36 | 29 | |||
Free Cash Flow | $ | 296 | $ | 264 | |
______________________________________
Media Contact: | Investor Contact: |
James Steven | Kareem Chin |
(212) 275-2213 | |
James.Steven@wmg.com | Investor.Relations@wmg.com |
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FAQ
What were WMG's key financial results for Q1 FY2025?
How did WMG's Recorded Music segment perform in Q1 2025?
What was WMG's Music Publishing performance in Q1 2025?