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Top Awards at the 97th Oscars Go to Productions Shot on Film, Including ANORA, THE BRUTALIST, I’M STILL HERE and I’M NOT A ROBOT

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Kodak (NYSE: KODK) celebrated a significant triumph at the 97th Academy Awards as films shot on KODAK film dominated the ceremony, winning 10 awards across 23 categories. Anora, shot on 35mm, claimed five awards including Best Picture and Best Director. The Brutalist, filmed using multiple formats including 35mm VistaVision, won three Oscars including Best Cinematography.

Notable wins also included I'm Still Here for Best International Feature Film and I'm Not a Robot for Best Live Action Short, both captured on KODAK film formats. Remarkably, all these award-winning productions were completed with budgets under $10 million, demonstrating the accessibility of film-based production.

Kodak (NYSE: KODK) ha celebrato un trionfo significativo ai 97° Academy Awards, poiché i film girati su pellicola KODAK hanno dominato la cerimonia, vincendo 10 premi in 23 categorie. Anora, girato in 35mm, ha conquistato cinque premi tra cui Miglior Film e Miglior Regista. The Brutalist, realizzato utilizzando più formati tra cui 35mm VistaVision, ha vinto tre Oscar, tra cui Miglior Fotografia.

Vittorie notevoli includono anche I'm Still Here per il Miglior Film Internazionale e I'm Not a Robot per il Miglior Cortometraggio dal Vivo, entrambi catturati con formati di pellicola KODAK. Remarkably, tutte queste produzioni premiate sono state completate con budget inferiori a 10 milioni di dollari, dimostrando l'accessibilità della produzione basata su pellicola.

Kodak (NYSE: KODK) celebró un triunfo significativo en los 97° Premios de la Academia, ya que las películas filmadas en película KODAK dominaron la ceremonia, ganando 10 premios en 23 categorías. Anora, filmada en 35mm, se llevó cinco premios, incluyendo Mejor Película y Mejor Director. The Brutalist, filmado utilizando múltiples formatos, incluido 35mm VistaVision, ganó tres Oscars, incluyendo Mejor Fotografía.

Las victorias notables también incluyeron I'm Still Here como Mejor Película Internacional y I'm Not a Robot como Mejor Cortometraje de Acción Real, ambos capturados en formatos de película KODAK. Notablemente, todas estas producciones ganadoras se completaron con presupuestos inferiores a 10 millones de dólares, demostrando la accesibilidad de la producción basada en película.

코닥 (NYSE: KODK)은 제97회 아카데미 시상식에서 중요한 승리를 축하했습니다. KODAK 필름으로 촬영된 영화들이 시상식을 지배하며 23개 카테고리에서 10개의 상을 수상했습니다. Anora는 35mm로 촬영되어 최우수 작품상과 최우수 감독상을 포함해 5개의 상을 수상했습니다. The Brutalist는 35mm 비스타비전 등 여러 포맷으로 촬영되어 최우수 촬영상을 포함해 3개의 오스카를 수상했습니다.

주목할 만한 수상작으로는 I'm Still Here가 최우수 국제 영화상, I'm Not a Robot가 최우수 실사 단편상으로 선정되었으며, 두 작품 모두 KODAK 필름 포맷으로 촬영되었습니다. 놀랍게도, 이 모든 수상작들은 1000만 달러 이하의 예산으로 완성되어 필름 기반 제작의 접근성을 보여주었습니다.

Kodak (NYSE: KODK) a célébré un triomphe significatif aux 97e Academy Awards, alors que les films tournés sur pellicule KODAK ont dominé la cérémonie, remportant 10 prix dans 23 catégories. Anora, tourné en 35mm, a remporté cinq prix, dont Meilleur Film et Meilleur Réalisateur. The Brutalist, filmé à l'aide de plusieurs formats, y compris le 35mm VistaVision, a remporté trois Oscars, dont Meilleure Photographie.

Parmi les victoires notables, on trouve également I'm Still Here pour Meilleur Film International et I'm Not a Robot pour Meilleur Court Métrage de Fiction, tous deux capturés sur des formats de pellicule KODAK. Fait remarquable, toutes ces productions primées ont été réalisées avec des budgets inférieurs à 10 millions de dollars, démontrant l'accessibilité de la production basée sur pellicule.

Kodak (NYSE: KODK) feierte einen bedeutenden Triumph bei den 97. Academy Awards, da Filme, die auf KODAK-Film gedreht wurden, die Zeremonie dominierten und 10 Auszeichnungen in 23 Kategorien gewannen. Anora, das in 35mm gedreht wurde, gewann fünf Auszeichnungen, darunter Bester Film und Bester Regisseur. The Brutalist, das mit mehreren Formaten, einschließlich 35mm VistaVision, gefilmt wurde, gewann drei Oscars, darunter Beste Kamera.

Bemerkenswerte Gewinne umfassten auch I'm Still Here für den Besten Internationalen Spielfilm und I'm Not a Robot für den Besten Kurzfilm, beide auf KODAK-Filmformaten aufgenommen. Bemerkenswerterweise wurden all diese preisgekrönten Produktionen mit Budgets von unter 10 Millionen Dollar abgeschlossen, was die Zugänglichkeit der filmgestützten Produktion demonstriert.

Positive
  • Major industry validation with 10 Oscar wins for KODK film-shot productions
  • Demonstrated commercial viability with award-winning films under $10M budget
  • Strong market position with 79,000 worldwide patents
Negative
  • None.

2025 Oscar winners for Best Picture (Anora), Best International Feature Film (I’m Still Here), Best Live Action Short (I’m Not a Robot) and Best Cinematography (Lol Crawley for The Brutalist) were all captured on KODAK film.

LOS ANGELES--(BUSINESS WIRE)-- The 97th Academy Awards, hosted on March 2 in Los Angeles, was a great night for the film medium. Ten of the awards for the twenty-three categories presented during the broadcast went to productions captured on film.

Sean Baker’s Anora, the historic and biggest winner of the night garnering Best Picture, Best Director, Best Original Screenplay, Best Editing, and Best Actress in a Leading Role by Mikey Madison, was shot on 35mm by cinematographer Drew Daniels.

Brady Corbet’s, The Brutalist, which won three Oscars including Best Cinematography by Lol Crawley, Best Actor in a Leading Role (Adrien Brody) and Best Original Score (Daniel Blumberg) was shot on multiple film formats including 35mm VistaVision, 35mm and 16mm.

I’m Still Here, winner of the Best International Feature Film, helmed by director Walter Salles and lensed by Cinematographer Adrian Teijido, was captured on 35mm and S8mm film.

And finally, the filmmakers recognized for the Best Live Action Short, I’m Not a Robot, also chose 35mm film as their capture medium.

“It is no coincidence that shot-on-film productions are at the forefront of awards season each year,” said Vanessa Bendetti, Vice President of Eastman Kodak Company and Head of Motion Picture. “The filmmakers who choose film are especially discerning, creative and daring. Kodak is thrilled for Sean Baker and the filmmakers behind Anora, The Brutalist, I’m Still Here and I’m Not a Robot. Each of these films were produced for less than ten million dollars, which is testimony that shooting on film can be realized at any budget level. Productions that shoot film stand out and benefit from the unmatched visuals of film, and the discipline and excellence in filmmaking the medium commands.”

2025 Oscar nominees Nosferatu, Maria, Sing Sing and A Different Man were also shot on KODAK film.

Read more about the 2025 Oscar Nominees and Winners at https://www.kodak.com/go/filmawards and the 7th annual KODAK FILM AWARDS, held on February 27 in Hollywood honoring Ed Lachman, Gia Coppola, Lol Crawley, Greg Kwedar, and Ramez Silyan at www.kodak.com/go/kodakawards.

About Kodak

Kodak (NYSE: KODK) is a leading global manufacturer focused on commercial print and advanced materials, film & chemicals. With 79,000 worldwide patents earned over 130 years of R&D, we believe in the power of technology and science to enhance what the world sees and creates. Our innovative, award-winning products, combined with our customer-first approach, make us the partner of choice for commercial printers worldwide. Kodak is committed to environmental stewardship, including industry leadership in developing sustainable solutions for print. For additional information on Kodak, visit us at Kodak.com.

© Kodak, 2025. Kodak is a trademark of Eastman Kodak Company.

Rachel Aberly | raberly@mac.com (310) 795-0143

Source: Kodak

FAQ

How many Oscar awards did films shot on KODAK (KODK) win at the 97th Academy Awards?

Films shot on KODAK film won 10 awards out of 23 categories at the 97th Academy Awards.

What was the budget range for the KODK film-shot Oscar winners in 2025?

All the Oscar-winning films shot on KODAK film were produced for less than $10 million each.

Which film formats were used in The Brutalist's Oscar-winning cinematography?

The Brutalist was shot on multiple KODAK film formats including 35mm VistaVision, standard 35mm, and 16mm.

How many Academy Awards did Anora, shot on KODK 35mm film, win in 2025?

Anora won five Academy Awards, including Best Picture, Best Director, Best Original Screenplay, Best Editing, and Best Actress.

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